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Classical Genres and English Poetry (Routledge Revivals)
First published in 1988, this study explains how certain genres created by Classical poets were adapted and sometimes transformed by the poets of the modern world, beginning with the Tudor poets’ rediscovery of the Classical heritage. Most of the long-lived poetic genres are discussed, from familiar examples like the hymn, elegy and eulogy, to less familiar topics such as the recusatio (refusal to write certain kinds of poems), or formal structures such as priamel. By combining criticism with literary history, the author explores the degree to which certain poets were consciously imitating models, and demonstrates how various generic forms reflect the literary concerns of individual poets as well as the general concerns of their age. The poets discussed range over the whole of Graeco-Roman antiquity, and in English from Wyatt to Yeats and Auden. A detailed and fascinating title, this study will appeal to teachers and students of both English and Classical literature.
Classical Love Poetry
This lovely book pairs selections of translated Greek and Roman verse from Homer, Sappho, Virgil, Horace, and Ovid, among others, with fine examples of paintings, sculpture, vases, and decorative objects. The excerpts, which cover the period from the eighth century B.C. to the early Middle Ages, were chosen from famous works, such as Homer's Iliad as well as less well-known pieces, such as the writings of the Greek poet Ibycus. This book demonstrates that the human preoccupation with love in all its forms has inspired writers for millennia: from the expression of enduring faithfulness and familial affection in Homer's description of Hector and Andromache to the passionate intensity portrayed by the later Greek lyric poets and the light-hearted depiction of love as a lost little boy by the anonymous authors of the Inacreontea. The book includes a brief introduction to Greek and Roman views on love and marriage, a short biographical note on each of the major poets, and a glossary of mythical and geographical names.
Poems without Poets
The canon of classical Greek and Latin poetry is built around big names, with Homer and Virgil at the center, but many ancient poems survive without a firm ascription to a known author. This negative category, anonymity, ties together texts as different as, for instance, the orally derived Homeric Hymns and the learned interpolation that is the Helen episode in Aeneid 2, but they all have in common that they have been maltreated in various ways, consciously or through neglect, by generations of readers and scholars, ancient as well as modern. These accumulated layers of obliteration, which can manifest, for instance, in textual distortions or aesthetic condemnation, make it all but impossibl...
111 Sublime Poems: an Anthology of English Classical Poetry
This anthology of English poetry is intended for readers who wish to get in touch with the production of the classical poetry of great English writers from the 16th to the beginnings of the 20th century. The book covers rare gems of the English literature produced by men of genius such as Shakespeare, Blake, Milton, Hopkins and so many whose art deserves eternity.
Classic Poetry
A collection of favorite poems by such writers as William Shakespeare, Emily Dickinson, Edward Lear, Walt Whitman, and Langston Hughes, with portraits of the poets, brief biographical background, and illustrations.
Three Classical Poets
In this engaging essay Richard Jenkyns shows us how to read three quite different ancient poets. In a close and sensitive reading of Sappho, Catullus, and Juvenal, Jenkyns delineates the uniqueness of the poet's individual voice in relation to poetic traditions. His book constitutes a challenge to the view that one method will suffice for the interpretation of ancient poetry. He seeks to demonstrate that we can have no substitute for flexible and humane judgment, liberated from critical dogma, if we are to understand the great writers of the past. It is Jenkyns' appealing habit to clarify and illustrate his points by drawing analogies from modern and ancient literature. He deploys his wide learning with agility and grace.
Sound, Sense, and Rhythm
This book concerns the way we read--or rather, imagine we are listening to--ancient Greek and Latin poetry. Through clear and penetrating analysis Mark Edwards shows how an understanding of the effects of word order and meter is vital for appreciating the meaning of classical poetry, composed for listening audiences. The first of four chapters examines Homer's emphasis of certain words by their positioning; a passage from the Iliad is analyzed, and a poem of Tennyson illustrates English parallels. The second considers Homer's techniques of disguising the break in the narrative when changing a scene's location or characters, to maintain his audience's attention. In the third we learn, partly ...
