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Nineteenth-Century Photographs and Architecture
Eschewing the limiting idea that nineteenth-century architecture photography merely reflects functionality, the objective of this collection is to reflect the aesthetic, intellectual, and cultural concerns of the time. The essays hold appeal for social and cultural historians, as well as those with an interest in the fields of art history, urban geography, history of travel and tourism. Nineteenth-century photographers captured what could be seen and what they wanted to be seen. Their images informed of exploration, progress, heritage, and destruction. Architecture was a staple subject for the first generation of photographers as it patiently tolerated the long exposures of the early process...
The Pointe of the Pen
"Originally a courtly art, ballet experienced dramatic evolution (but never, significantly, the prospect of extinction) as attitudes toward courtliness itself shifted in the aftermath of the French Revolution. As a result, it afforded a valuable model to poets who, like Wordsworth and his successors, aspired to make the traditionally codified, formal, and, to some degree, aristocratic art of poetry compatible with "the very language of men" and, therefore, relevant to a new class of readers. Moreover, as a model, ballet was visible as well as valuable. Dance historians recount the extraordinary popularity of ballet and its practitioners in the nineteenth century, and 'The Pointe of the Pen' ...
The Portfolio of Villard de Honnecourt
This new facsimile edition of the Portfolio of the 13th-century Picard artist Villard de Honnecourt is the first ever to be published in color. The thirty-three leaves are reproduced at actual size from high-quality color transparencies to ensure the best possible color reproduction of the drawings. One can now see variations in inks and quill strokes, traces of preliminary drawings, and corrections made by the artist. This study is also the first to give a thorough description of the condition of the leaves, analysis of each drawing in the portfolio individually, and new transcriptions and literal and free translations of the inscriptions. The opening chapter covers the history and physical...
L’École d’art
Dans la foulée des événements qui ont souligné le 50e anniversaire de l’École d’art, cet ouvrage retrace l’histoire de cette véritable institution dans le paysage des arts, de l’enseignement, de la recherche, de la création et de la ville de Québec.
Victorian Negatives
Victorian Negatives examines the intersection between Victorian photography and literary culture, and argues that the development of the photographic negative played an instrumental role in their confluence. The negative is a technology that facilitates photographic reproduction by way of image inversion, and Susan E. Cook argues that this particular photographic technology influenced the British realist novel and literary celebrity culture, as authors grappled with the technology of inversion and reproduction in their lives and works. The book analyzes literary works by Charles Dickens, Arthur Conan Doyle, E. W. Hornung, Cyril Bennett, Robert Louis Stevenson, Oscar Wilde, Thomas Hardy, and ...
The Topographic Imaginary
Since the early 1980s, art photographers from metropolitan France have been training their lenses on ordinary landscapes throughout the country they call home. The Topographic Imaginary is the first book to study this important and flourishing trend. It examines work by artists who meld documentary and creative modes to attune viewers to places that mainstream culture tends to tune out, but which, as Ari J. Blatt argues, are in fact more meaningful than they initially appear. From views of building sites in Paris, peri-urban edgelands, or a tangle of trees in a forest, to those that ponder the play of light and shadow on roadside fields in Normandy or the tacky colors painted on dated villag...
The White Birch
'A beautiful and profound meditation on the way landscape shapes art and life. I was entranced by The White Birch, a book that comes close to encapsulating the vast enigma of Russia in the form of a single tree' Alex Preston, author of Winchelsea and As Kingfishers Catch Fire The birch. Genus Betula. One of the northern hemisphere's most widespread and easily recognisable trees, and Russia's unofficial national emblem. From Catherine the Great's garden follies and Tolstoy's favourite chair to the Chernobyl exclusion zone and drunken nights in Moscow, art critic Tom Jeffreys leads us across Russia's diverse land to understand its dramatically shifting identity. As we walk through lost landscapes, discover historic artworks, explore the secret online world of Russian brides, and relive encounters between some of Russia's greatest artists and writers, we uncover a myriad of overlapping meanings surrounding the humble birch tree. Curious, resonant and idiosyncratic, The White Birch is a unique collection of journeys that grapples with the riddle of Russianness.
