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Memoirs of Libraries: Part the first. History of libraries (contin.) Economy of libraries
Start with the history of libraries of the ancients middle ages and the moderns in compact set of valuable, well-analyzes, and chronological ordered knowledge about the well-known libraries in the ancient periods to the modern age. Examples some contents from the books and libraries' catalogues citied with the texts having explanatory marks and footnoted besides for clarification for the reader. Reveals libraries' economic conditions & financial operations from several British libraries. mention the subjects of architectures and architectural persepectives of the libraries in America, Europe, and the Great Britain primarily.
Salonnières, Furies, and Fairies, revised edition
The original edition of Salonnières, Furies, and Fairies, published in 2005, was a pathbreaking work of early modern literary history, exploring women’s role in the rise of the fairy tale and their use of this new genre to carve out roles as major contributors to the literature of their time. This new edition, with a new introduction and a forward by acclaimed scholar Allison Stedman, emphasizes the scholarly legacy of Anne Duggan’s original work, and its continuing field-changing implications. The book studies the works of two of the most prolific seventeenth-century women writers, Madeleine de Scudéry and Marie-Catherine d'Aulnoy. Analyzing their use of the novel, the chronicle, and ...
Menippean Satire Reconsidered
Publisher description
The Cambridge Companion to Moliere
A detailed introduction to Molière and his plays, this Companion evokes his own theatrical career, his theatres, patrons, the performers and theatre staff with whom he worked, and the various publics he and his troupes entertained with such success. It looks at his particular brands of comedy and satire. L'École des femmes, Le Tartuffe, Dom Juan, Le Misanthrope, L'Avare and Les Femmes savantes are examined from a variety of different viewpoints, and through the eyes of different ages and cultures. The comedies-ballets, a genre invented by Molière and his collaborators, are re-instated to the central position which they held in his œuvre in Molière's own lifetime; his two masterpieces in this genre, Le Bourgeois gentilhomme and Le Malade imaginaire, have chapters to themselves. Finally, the Companion looks at modern directors' theatre, exploring the central role played by productions of his work in successive 'revolutions' in the dramatic arts in France.
