You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1976.
It is 1840 when a clever little boy named Claude Devereux announces that he wants to be a soldier. But his father will have none of it. It seems Claude is destined for a future not of his own wishesthat is, until destiny takes over. Many years later, Claude has worked his way up in the ranks to Brigadier General of the Union forces. But Claude is harboring a secrethe is a Confederate spy. With the code name Hannibal, he nurtures a long-standing reputation for being smart, but also a bit mad. After he becomes friends with Abraham Lincoln, he burrows his way into the heart of the Lincoln administration and slowly gains the presidents con?dence. Despite being pursued by counterintelligence agents and suspected of disloyalty, Hannibal manages to pass valuable information on to Richmond and the Confederacy. But everything is about to change when Hannibal realizes he has lost the trust of his comrades and that there is one man who will do anything to bring him down. In this third tale in the Strike the Tent series, Claude Devereux is forced to face the prospect of exposure. Now, only time will tell if he can ?nd a way to escape his enemies before it is too late.
Home to Harlem is a groundbreaking novel written by Claude McKay, a prominent figure of the Harlem Renaissance. Published in 1928, it is considered as one of the earliest works of the Harlem Renaissance movement, which sought to celebrate African American culture and identity through literature, art, and music. McKay's novel is a powerful and thought-provoking depiction of the lives of African Americans living in the urban city of Harlem during the 1920s. The novel follows the story of Jake Brown, a young black man who returns to Harlem after serving in World War I. Through Jake's eyes, McKay portrays the vibrant and complex world of Harlem, with its jazz clubs, speakeasies, and bustling str...
"Heretofore scholars have not been willing—perhaps, even been unable for many reasons both academic and personal—to identify much of the Harlem Renaissance work as same-sex oriented. . . . An important book." —Jim Elledge This groundbreaking study explores the Harlem Renaissance as a literary phenomenon fundamentally shaped by same-sex-interested men. Christa Schwarz focuses on Countée Cullen, Langston Hughes, Claude McKay, and Richard Bruce Nugent and explores these writers' sexually dissident or gay literary voices. The portrayals of men-loving men in these writers' works vary significantly. Schwarz locates in the poetry of Cullen, Hughes, and McKay the employment of contemporary gay code words, deriving from the Greek discourse of homosexuality and from Walt Whitman. By contrast, Nugent—the only "out" gay Harlem Renaissance artist—portrayed men-loving men without reference to racial concepts or Whitmanesque codes. Schwarz argues for contemporary readings attuned to the complex relation between race, gender, and sexual orientation in Harlem Renaissance writing.
A highly talented athlete, Leigh Cooper experienced self-image issues as a young girl which led to eating disorders and destructive behavior. While a student at Appalachian State University, she was abducted and raped by a man who five days earlier had abducted and brutally murdered another young woman. After three hours of physical and mental torture, Leigh managed to escape. She provided key evidence which allowed authorities to quickly capture her abductor, and her testimony resulted in the death sentence for this killer. Realizing she had been given a second chance on life, Leigh took control of her eating issues, resumed her college studies, and became one of the greatest runners in ASU...
This story, I Can’t Stop Loving You, is the story of Larry Scarborough, whose heartbreak was witnessed by the author and the other close friends who ran with him during the year following his girlfriend’s sudden departure from Linville, Louisiana. Larry’s girlfriend, Justin Cooper was a beautiful red haired girl, with a friendly attitude that endeared her to almost everyone she came in contact with. But she was also a wild one, so much so that her grandmother sent her from their home near Baton Rouge to live with her Uncle Sidney and Aunt Pearl Cooper in Linville in North Louisiana. But before Justin completed her senior year of high school, her love affair with Larry Scarborough caused Aunt Pearl to abruptly ship her back to her grandmother. Aunt Pearl’s concern about where this romance was headed was her main reason for sending Justin away.
"[These volumes] are endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.
When television was young . . . Legendary movie producer Darryl Zanuck declared, "People will soon get tired of staring at a plywood box every night. Before 5:30, there were only test patterns. Howdy Doody was the first show of the day. CBS agreed to put I Love Lucy on film only if Desi and Lucy paid part of the production fee. In return, CBS gave them ownership of the shows, including the right to rerun it forever. Kukla, Fran, and Ollie was the first network show broadcast in color. 50,000 fans showed up in a New Orleans department store to meet Hopalong Cassidy. Movie studios would not let motion icture stars appear on television for fear that if people saw the stars on TV, they wouldn't go to the movies. Filled with fascinating stories, When Television Was Young is a hilarious, entertaining, behind-the-scenes look at the world of the small screen.
In a pathbreaking new assessment of the shaping of black male identity in the early twentieth century, Martin Summers explores how middle-class African American and African Caribbean immigrant men constructed a gendered sense of self through organizational life, work, leisure, and cultural production. Examining both the public and private aspects of gender formation, Summers challenges the current trajectory of masculinity studies by treating black men as historical agents in their own identity formation, rather than as screens on which white men projected their own racial and gender anxieties and desires. Manliness and Its Discontents focuses on four distinct yet overlapping social milieus:...
Few franchises in the deadball era won as consistently or as often as the New York Giants and Philadelphia Athletics. Between them, the teams claimed 12 pennants and finished second or higher 22 times. The steady success also earned managers John McGraw and Connie Mack their reputations. It was history in the making, then, when the two Hall of Famers led their clubs into the 1913 World Series, the third and final time they went head to head for the world championship. The author provides a carefully researched account of the season-long dominance of the Giants and A's, the narrative building toward a dramatic collision in the Fall Classic.