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"Roudinesco provides a finely drawn map of the intellectual debates within French psychoanalysis, especially under the influence of the German emigrés during the 1930s and 1940s. She is a good historian, in that she provides not only a narrative history but also extensive passages from Lacan's own oral-history interviews with the various figures, so that we have not only her commentary but some flavor of the original documentation. Many of the quotes are gems."—Sander I. Gilman, Bulletin of the History of Medicine
A practical, concise, and comprehensive guide for flutists.
First multi-year cumulation covers six years: 1965-70.
Barráere had a major impact on the development of the flute & flute pedagogy in the U.S. during the 20th century. This biography covers his formative years in Paris and his years with the New York Symphony & the Institute of Musical Art, where he founded the woodwind department.
An updated edition of the seminal book that explores why the interest in psychoanalysis in France exploded after 1968 and what it says about culture and therapy. Among Western countries, France may well be the one that resisted Freud the longest. But, in the late 1960s, France was seized by an infatuation with Freudianism. By the end of that decade, France had more than a psychoanalytic movement: it had a widespread and deeply rooted psychoanalytic culture. At the heart of this development was Jacques Lacan's reconstruction of Freudian theory, a reinvention of psychoanalysis that resonated with French culture in the aftermath of the uprisings of 1968. In Psychoanalytic Politics, the second e...
Notes for Flutists: A Guide to the Repertoire is the only single-source reference of essential historical and analytical information about 35 of the best-known pieces written for the instrument. Its contextual and theoretical insights make this text an indispensable resource for teachers as well as student, professional, and amateur flutists.
This indispensable manual for present-day players of the one-keyed flute is the first complete method written in modern times. Janice Dockendorff Boland has compiled a manual that can serve as a self-guiding tutor or as a text for a student working with a teacher. Referencing important eighteenth-century sources while also incorporating modern experience, the book includes nearly 100 pages of music drawn from early treatises along with solo flute literature and instructional text and fingering charts. Boland also addresses topics ranging from the basics of choosing a flute and assembling it to more advanced concepts such as tone color and eighteenth-century articulation patterns.
Gaston Crunelle (1898--1990) was Professor of Flute at the Paris Conservatory from 1941 to 1969 and taught an entire generation of the world's leading flutists. A leading orchestral, chamber music, and solo flutist, his recordings are among the best of the 78-rpm and early LP eras. Gaston Crunelle and Flute Playing in Twentieth-Century France establishes Crunelle's place in history as one of the most important flutists of the twentieth century and shines light on musical life in France during his lifetime from the silent film era, through the German Occupation, to the changes in music and education since 1968.