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Architecture And Democracy
"Architecture and Democracy" is a thought-provoking book written by Claude Bragdon, exploring the relationship between architecture and the principles of democracy. With a keen understanding of both architectural theory and democratic ideals, Bragdon delves into the ways in which architecture can reflect and shape the social fabric of a democratic society. Bragdon explores various architectural styles, urban planning principles, and historical examples to illustrate the relationship between built environments and democratic values. He advocates for the democratization of architecture, where the design and development of public spaces are driven by the needs and aspirations of the people they serve. "Architecture and Democracy" challenges readers to reevaluate their understanding of architecture as more than just a functional endeavor, but as a means to foster social cohesion, equality, and democratic ideals. Bragdon's book serves as a call to architects, urban planners, and policymakers to consider the social and political implications of their work, and to embrace a design philosophy that prioritizes inclusivity, accessibility, and the well-being of the community.
Architecture and Democracy
Architecture and Democracy By Claude Bragdon New Edition Brand New Copies Claude Fayette Bragdon (August 1, 1866 – 1946) was an American architect, writer, and stage designer based in Rochester, New York, up to World War I, then in New York City. The designer of Rochester's New York Central Railroad terminal (1909–13) and Chamber of Commerce (1915–17), as well as many other public buildings and private residences, Bragdon enjoyed a national reputation as an architect working in the progressive tradition associated with Louis Sullivan and Frank Lloyd Wright. Along with members of the Prairie School and other regional movements, these architects developed new approaches to the planning, ...
A Primer of Higher Space (the Fourth Dimension)
Think of the fourth dimension, not as a new region in space... but as a principle of growth, of change... -from "The Fourth Dimension as Time" This 1913 treatise on the intersection of the mystical and the mathematical implied by Einstein's 1905 special theory of relativity is now considered a classic of philosophical physics. Claude Bragdon here first proposed the now mathematically commonplace concept of the "hypercube," or four-dimensional cube (he incorporated 4-D designs into some of his architectural projects), and explores his radical and provocative ideas about the mathematical structure of the universe. Complete with a gallery of Bragdon's gorgeous line drawings illustrating higher ...
Projective Ornament
"Modern architecture, except on its engineering side, has not yet found itself." So stated Claude Bragdon in this 1915 book. An architect himself-and one of the most fascinating thinkers of the early 20th century-Bragdon here blames the urban disconnect from the natural world for the dearth of ornamentation to rival ancient civilizations, which drew inspiration from nature. As an alternative, Bragdon offers geometry as an appropriately modern, scientific inducement to ornament, and delves into the mystical mathematics of magic lines and magic squares, of tesseracts and hyperspheres, demonstrating their beauty and grace. Complete with charming line drawings of historical architecture and new,...
The Beautiful Necessity
In "The Beautiful Necessity," Claude Fayette Bragdon explores the intricate relationship between beauty, architecture, and human experience, asserting that aesthetic principles are essential to understanding and enhancing life. Combining elements of philosophy, art, and design, Bragdon employs a lyrical and introspective literary style that invites readers to engage deeply with the visual and spatial elements of their environment. Set against the backdrop of early 20th-century America, amidst burgeoning movements in modern architecture and the arts and crafts movement, the book serves as both a manifesto for a new aesthetic sensibility and a meditation on the nature of beauty itself. Claude ...
Four Dimensional Vistas
One of the most extraordinary figures of the popular intellectualism of the early 20th century, Claude Bragdon was an architect and designer who turned his mathematically fueled artistic bent toward the metaphysical and anticipated the new quantum physics with a philosophy of existence that bridged the rational and the transcendent. Here, in this lyrical exploration of the expansiveness of human consciousness, Bragdon considers how humanity's ever-changing understanding of the universe results in an ever-growing appreciation for our own powers of thought, feeling, and experience.
