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State of Madness
What madness meant was a fiercely contested question in Soviet society. State of Madness examines the politically fraught collision between psychiatric and literary discourses in the years after Joseph Stalin's death. State psychiatrists deployed set narratives of mental illness to pathologize dissenting politics and art. Dissidents such as Aleksandr Vol'pin, Vladimir Bukovskii, and Semen Gluzman responded by highlighting a pernicious overlap between those narratives and their life stories. The state, they suggested in their own psychiatrically themed texts, had crafted an idealized view of reality that itself resembled a pathological work of art. In their unsanctioned poetry and prose, the ...
La figure du rebelle
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Missionary Approaches and Linguistics in Mainland China and Taiwan
This book offers a series of attempts at analyzing the place of Christianity in traditional Chinese society from the different sociological, historical, theological and philological approaches. It is based on papers and discussions from the sixth international conference on Church activities in Qing and early Republican China (Verbiest Foundation, Leuven, 1998). Scholars like von Collani, Criveller, Walravens and Wiest established already a well-deserved reputation with a series of previous publications in the field. Their articles in this volume on the position of women in the Chinese Catholic community, the shifting Jesuit methodology, Jesuit apologetics and the direct sources of the Qiqi ...
Stranieri
Questo volume osserva l’università come punto di incontro tra uomini di età diverse e di origini geografiche molteplici. Ciò vale in particolar modo per l’Ateneo patavino, che deve le sue origini proprio a una migrazione di scolari. Un evento circoscritto, che tuttavia rientra nel fenomeno più ampio e diffuso della mobilità accademica che caratterizza il medioevo e la prima età moderna. Nel corso del medioevo – con un’accelerazione notevole a partire dal XII secolo – maestri e scolari furono indotti a muoversi verso i centri del sapere – monasteri, scuole, cattedrali, conventi, università – alla ricerca degli ambienti più stimolanti dal punto di vista intellettuale e de...
Ф.М. Достоевский: Юмор, парадоксальность, демонтаж
While the analysis of humor, paradox, and deliberate deconstruction has generally occupied a marginal position in the study of Dostoevsky’s universe, it seems impossible to understand his poetics without pointed attention to these categories. The present book aims to fill the existing gap by focusing on the nature of ambivalent humor, paradoxicality, and methods of ‘de-automatizing’ consciousness through deconstruction, arguing that these are central elements in Dostoevsky’s creative arsenal. It is precisely the dialogical and paradoxical nature of his artistic method that enables such different and sometimes contradictory readings. Dostoevsky, who proclaimed «the excitement of compassion» as the secret of humor (in the ‘funny’ there is always sadness and even despair), more generally exposes in his writing the structural duality of all phenomena.
20/Venti. Ricerche sulla cultura russa e sovietica degli anni Venti del XX secolo
Il volume raccoglie una serie di saggi dedicati alla cultura russa e sovietica degli anni Venti del XX secolo, un periodo di eccezionale vitalità creativa, attraversato da profonde trasformazioni. I contributi riguardano diversi ambiti: gli studi teorici e la prassi letteraria del formalismo, l’eredità del modernismo e del simbolismo russo, l’esperienza dell’emigrazione, l’infrazione del canone e la ricerca di forme inedite, le innovazioni della prosa, le sperimentazioni teatrali e la contaminazione di linguaggio poetico, scenico e musicale.
2019
The Futurist art movement, founded by F.T. Marinetti in 1909, had a worldwide impact and made important contributions to avant-garde movements in many countries and artistic genres. This yearbook is designed to act as a medium of communication amongst a global community of Futurism scholars. It has an interdisciplinary orientation and presents new research on Futurism across national borders in fields such as literature, fine arts, music, theatre, design, etc. Apart from essays and country surveys it contains reports, reviews and an annual bibliography of recent Futurism studies. Vol. 1 (2011): Special Issue, Futurism in Eastern and Central Europe Vol. 2 (2012): Open Issue Vol. 3 (2013): Special Issue, Iberian Futurism Vol. 4 (2014): Open Issue Vol. 5 (2015): Special Issue, Women Futurists Vol. 6 (2016): Open Issue For Vol. 1-3 please see also: http: //www.degruyter.com/view/j/futur
A Chinese Jesuit Catechism
This book is the first scholarly study of the famous Jesuit Chinese children’s primer, the Four Character Classic, written by Giulio Aleni (1582–1649) while living in Fujian, China. This book also includes masterful translations of both Wang Yinglin’s (1551–1602) hallowed Confucian Three Character Classic and Aleni’s Chinese catechism that was published during the Qing (1644–1911). Clark’s careful reading of the Four Character Classic provides new insights into an area of the Jesuit mission in early modern China that has so far been given little attention, the education of children. This book underscores how Aleni’s published work functions as a good example of the Jesuit use of normative Chinese print culture to serve the catechetical exigencies of the Catholic mission in East Asia, particularly his meticulous imitation of Confucian children’s primers to promote decidedly Christian content.
Russica romana
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