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Internationally acclaimed pianist and teacher Claudio Arrau (1903-91) left a legacy that continues to touch piano students today. This book is an in-depth guide to Arrau's performance and teaching techniques, providing an insider's view of the art of piano playing as exemplified by one of the great artists of the twentieth century.
Vivid conversations with Claudio Arrau on technique, plus discussions with Philip Lorenz, Daniel Barenboim, Garrick Ohlsson, and Sir Colin Davis. "A fascinating and valuable book." — New York Magazine. 21 photos.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Stratford is a small treasure--a lively, gracious city with heritage homes, beautiful parks, fine restaurants and a Shakespearean festival that draws over half a million people to the community annually. In this book you will discover the story of Stratford's origins and growth and see the city's past and present in more than 100 contemporary and archival photographs. Ranging from the pre-contact period, when the area was settled by Iroquoian First Nations, to the nineteenth century with its legacy of splendid architecture, this is the story of a beautiful, bustling community. The Stratford Festival is illustrated with many images drawn from the festival archives, and an illustrated walking tour highlights many of the city's architectural and heritage treasures. Stratford: Its History and Its Festival is a richly illustrated showcase of this picturesque Ontario town.
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Hailed by Franz Liszt as the world's greatest organist, Camille Saint-Saëns was revered by his contemporaries for his ingenious improvisations, his mastery of the art of registration, his virtuosity, and his eclectic organ compositions. Saint-Saëns's technique and style developed out of what remained of the French classic tradition that survived into 19th century use, bridged the entire career of Aristide Cavaillé-Coll, and continued well into the 20th century. Rollin Smith, author of The Organ Works of César Franck, provides an insightful biographical view of Saint-Saëns as organist and composer, including detailed chapters on the construction and settings of instruments he played (the harmonium, the Aeolian organ, and the Cavaillé-Coll organs, among others). Within the eleven appendices are essays by and about Saint-Saëns; recordings of his performances; specifications of selected organs that he played; and a thematic catalogue of his works for harmonium and organ.
This remarkable edition combines Urtext scholarship with the insights of one the most revered Beethoven pianists of the 20th century, Claudio Arrau. Beethoven's own fingering is indicated, where extant. Otherwise, Arrau offers his own instructive and sometimes unusual solutions.
The Danger of Music gathers some two decades of Richard Taruskin's writing on the arts and politics, ranging in approach from occasional pieces for major newspapers such as the New York Times to full-scale critical essays for leading intellectual journals. Hard-hitting, provocative, and incisive, these essays consider contemporary composition and performance, the role of critics and historians in the life of the arts, and the fraught terrain where ethics and aesthetics interact and at times conflict. Many of the works collected here have themselves excited wide debate, including the title essay, which considers the rights and obligations of artists in the aftermath of the 9/11 terrorist atta...
This remarkable edition combines Urtext scholarship with the insights of one the most revered Beethoven pianists of the 20th century, Claudio Arrau. Beethoven's own fingering is indicated, where extant. Otherwise, Arrau offers his own instructive and sometimes unusual solutions.