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Close Encounters of the Third Kind
  • Language: en
  • Pages: 122

Close Encounters of the Third Kind

  • Type: Book
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  • Published: 1978
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  • Publisher: Unknown

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Close Encounters of the Third Kind
  • Language: en
  • Pages: 72

Close Encounters of the Third Kind

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Close Encounters of the Third Kind
  • Language: en
  • Pages: 436

Close Encounters of the Third Kind

(Applause Books). "Morton has written the definitive book on this innovative movie by Steven Spielberg...Meticulous research of this caliber is not found in other books on Close Encounters . Fans will find Morton's take informative and fascinating." Library Journal . Steven Spielberg's 1977 masterpiece used all of the power and magic of cinema to tell a story of man's first meeting with extraterrestrial beings. Renouncing the fear and pessimism of the day, writer/director Spielberg boldly envisioned this as a peaceful, spiritual event full of hope and possibility. This awe-inspiring message made a powerful impact on audiences desperate for something to believe in. The film was a massive box-...

Close Encounters of the Third Kind
  • Language: en
  • Pages: 192

Close Encounters of the Third Kind

Celebrate the fortieth anniversary of Steven Spielberg's sci-fi classic Close Encounters of the Third Kind with this deluxe book exploring the creation, production, and legacy of the iconic film. It's been forty years since Steven Spielberg's seminal sci-fi classic Close Encounters of the Third Kind first captivated audiences. Now fans can follow the complete creative journey behind the making of the film with this stunning book that both commemorates the movie and examines its cultural impact. Featuring rare and never-before-seen imagery from the archives, Close Encounters of the Third Kind: The Ultimate Visual History brings together a stunning collection of on-set photography, concept art...

Animating Space
  • Language: en
  • Pages: 307

Animating Space

'Animating Space' explores how animation has evolved in line with changing cultural attitudes, as well as examining the innovations that have helped raise the medium from a novelty to a fully-fledged art form.

The Close Encounters Man
  • Language: en
  • Pages: 229

The Close Encounters Man

The wildly entertaining and eye-opening biography of J. Allen Hynek, the astronomer who invented the concept of "Close Encounters" with alien life, inspired Steven Spielberg’s blockbuster classic science fiction epic film and is the subject of History Channel's Project Blue Book, and made an entire nation want to believe in UFOs. In June 1947, private pilot Kenneth Arnold looked out his cockpit window and saw a group of nine silvery crescents weaving between the peaks of the Cascade Mountains at an estimated 1,200 miles an hour. The media, the military, and the scientific community—led by J. Allen Hynek, an astronomer hired by the Air Force—debunked this and many other Unidentified Fly...

Reading Sounds
  • Language: en
  • Pages: 357

Reading Sounds

  • Categories: Art

The work of writing closed captions for television and DVD is not simply transcribing dialogue, as one might assume at first, but consists largely of making rhetorical choices. For Sean Zdenek, when captioners describe a sound they are interpreting and creating contexts, they are assigning significance, they are creating meaning that doesn t necessarily exist in the soundtrack or the script. And in nine chapters he analyzes the numerous complex rhetorical choices captioners make, from abbreviating dialogue so it will fit on the screen and keep pace with the editing, to whether and how to describe background sounds, accents, or slurred speech, to nonlinguistic forms of sound communication suc...

Close Encounters of the Third Kind
  • Language: en
  • Pages: 143

Close Encounters of the Third Kind

For many, Close Encounters of the Third Kind (CE3K) is not so much a movie as a religious experience. On its release in 1977, CE3K virtually redefined the science fiction film, shifting it away from spaceships, laser guns, and bug-eyed monsters into a modified form of science fiction that John Wyndham once called ‘logical fantasy’. What would it be like if extra-terrestrials made contact with people on Earth? How would it feel? Like 2001: A Space Odyssey (1968), Steven Spielberg’s primary inspiration, CE3K is concerned with mankind’s evolution towards the stars, towards a state of transcendence. But Spielberg’s vision hinges not so much on cool scientific intellect being the key to...

Steven Spielberg
  • Language: en
  • Pages: 245

Steven Spielberg

A film-centric portrait of the extraordinarily gifted movie director whose decades-long influence on American popular culture is unprecedented Everything about me is in my films, Steven Spielberg has said. Taking this as a key to understanding the hugely successful moviemaker, Molly Haskell explores the full range of Spielberg s works for the light they shine upon the man himself. Through such powerhouse hits as Close Encounters of the Third Kind, E.T., Jurassic Park, and Indiana Jones, to lesser-known masterworks like A.I. and Empire of the Sun, to the haunting Schindler s List, Haskell shows how Spielberg s uniquely evocative filmmaking and story-telling reveal the many ways in which his life, work, and times are entwined. Organizing chapters around specific films, the distinguished critic discusses how Spielberg s childhood in non-Jewish suburbs, his parents traumatic divorce, his return to Judaism upon his son s birth, and other events echo in his work. She offers a brilliant portrait of the extraordinary director a fearful boy living through his imagination who grew into a man whose openness, generosity of spirit, and creativity have enchanted audiences for more than 40 years.

The Mouse Machine
  • Language: en
  • Pages: 235

The Mouse Machine

Throughout Disney's phenomenally successful run in the entertainment industry, the company has negotiated the use of cutting-edge film and media technologies that, J. P. Telotte argues, have proven fundamental to the company's identity. Disney's technological developments include the use of stereophonic surround sound for Fantasia, experimentation with wide-screen technology, inaugural adoption of three-strip Technicolor film, and early efforts at fostering depth in the animated image. Telotte also chronicles Disney's partnership with television, development of the theme park, and depiction of technology in science-fiction narratives. An in-depth discussion of Disney's shift into digital filmmaking with its Pixar partnership and an emphasis on digital special effects in live-action films, such as the Pirates of the Caribbean series, also highlight the studio's historical investment in technology. By exploring the technological context for Disney creations throughout its history, The Mouse Machine illuminates Disney's extraordinary growth into one of the largest and most influential media and entertainment companies in the world. Hardbook is unjacketed.