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Losing the Plot
Funny, charming and captivating, with a plot within a plot, and a girl who is looking for love in all the wrong places. 'I loved it! It's got a kind of Bridget Jones feel and such a page turner. Great fun but with such beautiful heart. I've already cast the film/series in my head!' Rebecca Gibney 'A warm and very funny read.' Who, 4 stars Vanessa Rooney is a thirty-something dental hygienist who finds herself a single mum with a hole in her heart where her husband had been. Somehow she finds the courage to fulfil her childhood dream of writing a romance novel but soon discovers that her novel has been plagiarised by her idol, celebrity author Charlotte Lancaster. Vanessa reluctantly sues Cha...
Secret Bridesmaids' Business / It's My Party (& I'll Die If I Want To)
Secret Bridesmaids' Business is a seriously funny play that exposes the hysteria that can arise as the wedding juggernaut threatens to swerve out of control. (1 male, 5 female). It's My Party (& I'll Die If I Want To)-- Ron Patterson has only 111 minutes left to live and he invites the kids around for sausage rolls, salads and a bit of quality time. As he attempts to tie up the loose ends of his life, all the juicy neuroses of his very dysfunctional family come to the fore. (3 male, 3 female).
Here
HERE is fierce poetic imagination that faces indifference and cynicism with a rallying call for individual activism and collective action.
Aboriginal Art, Identity and Appropriation
The belief held by Aboriginal people that their art is ultimately related to their identity, and to the continued existence of their culture, has made the protection of indigenous peoples' art a pressing matter in many postcolonial countries. The issue has prompted calls for stronger copyright legislation to protect Aboriginal art. Although this claim is not particular to Australian Aboriginal people, the Australian experience clearly illustrates this debate. In this work, Elizabeth Burns Coleman analyses art from an Australian Aboriginal community to interpret Aboriginal claims about the relationship between their art, identity and culture, and how the art should be protected in law. Through her study of Yolngu art, Coleman finds Aboriginal claims to be substantially true. This is an issue equally relevant to North American debates about the appropriation of indigenous art, and the book additionally engages with this literature.
The Opulent Era
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The Selected Letters of John Berryman
A wide-ranging, first-of-its-kind selection of Berryman’s correspondence with friends, loved ones, writers, and editors, showcasing the turbulent, fascinating life and mind of one of America’s major poets. The Selected Letters of John Berryman assembles for the first time the poet’s voluminous correspondence. Beginning with a letter to his parents in 1925 and concluding with a letter sent a few weeks before his death in 1972, Berryman tells his story in his own words. Included are more than 600 letters to almost 200 people—editors, family members, students, colleagues, and friends. The exchanges reveal the scope of Berryman’s ambitions, as well as the challenges of practicing his a...
Six Chickens Please
In 1932, Elizabeth, widowed with three children, married widower Fred Coleman, who had one daughter. Together they rent a small house, and to help feed the family, Elizabeth bought six chickens. Later they are able to move to a bigger house, where Elizabeth gives birth to two more children - and buys more chickens! A super story of a family living on very little, but love and hard work.
Blueberry Lady
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