Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Losing the Plot
Funny, charming and captivating, with a plot within a plot, and a girl who is looking for love in all the wrong places. 'I loved it! It's got a kind of Bridget Jones feel and such a page turner. Great fun but with such beautiful heart. I've already cast the film/series in my head!' Rebecca Gibney 'A warm and very funny read.' Who, 4 stars Vanessa Rooney is a thirty-something dental hygienist who finds herself a single mum with a hole in her heart where her husband had been. Somehow she finds the courage to fulfil her childhood dream of writing a romance novel but soon discovers that her novel has been plagiarised by her idol, celebrity author Charlotte Lancaster. Vanessa reluctantly sues Cha...
Secret Bridesmaids' Business / It's My Party (& I'll Die If I Want To)
Secret Bridesmaids' Business is a seriously funny play that exposes the hysteria that can arise as the wedding juggernaut threatens to swerve out of control. (1 male, 5 female). It's My Party (& I'll Die If I Want To)-- Ron Patterson has only 111 minutes left to live and he invites the kids around for sausage rolls, salads and a bit of quality time. As he attempts to tie up the loose ends of his life, all the juicy neuroses of his very dysfunctional family come to the fore. (3 male, 3 female).
Here
HERE is fierce poetic imagination that faces indifference and cynicism with a rallying call for individual activism and collective action.
Blueberry Lady
None
The Opulent Era
None
Aboriginal Art, Identity and Appropriation
The belief held by Aboriginal people that their art is ultimately related to their identity, and to the continued existence of their culture, has made the protection of indigenous peoples' art a pressing matter in many postcolonial countries. The issue has prompted calls for stronger copyright legislation to protect Aboriginal art. Although this claim is not particular to Australian Aboriginal people, the Australian experience clearly illustrates this debate. In this work, Elizabeth Burns Coleman analyses art from an Australian Aboriginal community to interpret Aboriginal claims about the relationship between their art, identity and culture, and how the art should be protected in law. Through her study of Yolngu art, Coleman finds Aboriginal claims to be substantially true. This is an issue equally relevant to North American debates about the appropriation of indigenous art, and the book additionally engages with this literature.
Cult to Christ
Elizabeth was born and raised in a nameless and secretive worldwide cult that claims exclusive origin from the New Testament apostolic ministry and blatantly describes all other churches as 'false'. A fourth generation member, she professed faith at the age of sixteen and fully intended to remain there, even when she discovered that the system she believed in was based on a lie. A love story both human and divine, a journey from spiritual bondage to freedom in Christ; this confronting and deeply personal account gives an inside perspective into the mindset of cult members, and reveals the fear and trauma associated with being forced to investigate your own beliefs even if it could mean destroying the very foundations of everything you believe.
The Douglas Register
The Reverend William Douglas served both St. James Northam Parish (Dover Church) in Goochland County and in Manakin Town which was part of King William Parish. King William Parish was in Goochland County during this time period but is now in Powhatan County because of county boundary changes.
