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Astrid Kirchherr
Astrid Kirchherr - A Retrospective presents a stunning collection of photographs by the legendary Hamburg photographer, including some never before seen early shots of the Beatles. This richly illustrated book also puts Kirchherr's work in a context above and beyond the shadow of Merseybeat: though she has taken few photographs since 1967 her work has been exhibited in Hamburg, Bremen, Liverpool, London, Vienna, New York, Washington D.C., Chicago, Los Angeles, Indianapolis and Tokyo, highlighting her significant international presence in photography over the past 50 years. The book draws heavily on unparalleled access to the archives of Astrid Kirchherr and includes photographs of John Lennon, Paul McCartney, George Harrison and Kirchherr's former fiance, Stuart Sutcliffe, as well as other key protagonists in the Beatles story, such as Klaus Voormann and Rory Storm. Essays from acclaimed contemporary music writers Jon Savage and Michael Bracewell complete a book that will be compulsory reading - and viewing - for Beatles fans and photography students alike.
Stuart Sutcliffe
Explores the life and work of musician and artist Stuart Sutcliffe, discussing his work as the original bass player for the Beatles, his contributions to the Liverpool and Hamburg art scene, his personal life, and other related topics.
The Top Gear Story - The 100% Unofficial Story of the Most Famous Car Show... In The World
From humble beginnings as a 1970s motoring show, Top Gear has gone on to achieve diesel-powered world domination. After Clarkson and producer Andy Wilman successfully pitched a new format to BBC bosses, Top Gear returned to become the irreverent, funny and often controversial show we now know and love. The Star in a Reasonably Priced Car, the Cool Wall and Power Laps by the mysterious Stig have all become staples of Britain's favourite Sunday evening entertainment. Recent series have been defined by their madcap challenges such as driving across Africa in clapped-out bangers - with predictably hilarious results. However, the show's most shocking moment came in 2006, when Hammond suffered serious head injuries while driving a Vampire turbojet drag racing car at over 300mph. Clarkson, Hammond and May; they are the politically-incorrect-joking, stone-washed-denim-wearing, bloke-hero trio for the modern(ish) age. This brilliant, detailed book is fitting tribute to the show, its presenters and its most memorable moments.
Lennon and McCartney
Lennon and McCartney: Painting with Sound explores the work of two of the most influential composers of the twentieth century. Five decades after the breakup of the Beatles, the music of John Lennon and Paul McCartney continues to fascinate and inspire. Evidence suggests that their uniquely eclectic approach can be traced back to the Liverpool College of Art. Following on that idea, this book explores the creative dialogue between John Lennon and Paul McCartney, both with the Beatles and on their own, that grew out of that early influence. The book is presented in three sections: I. Stretching the Canvas considers the Liverpool College of Art as the backdrop for John and Paul’s early colla...
Modern Art
Revised and restructured, this second edition of Modern Art traces the historical and contemporary contexts for understanding modern art movements, and the theories that influenced and attempted to explain them. Its radical approach foregoes the chronological approach to art movements in favour of looking at the ways in which art has been understood. The editors investigate the main developments in art interpretation and draw examples from a wide range of genres including painting, sculpture, photography, installation and performance art. This second edition has been fully updated to include many more examples of recent art practice, as well as an expanded glossary and comprehensive marginal notes providing definitions of key terms. Extensively illustrated with a wide range of visual examples, Modern Art is the essential textbook for students of art history.
Cut-ups, Cut-ins, Cut-outs
William S. Burroughs, an icon of the American Beat Generation, admired as a revolutionary and homosexual intellectual, and criticised for his enthusiasm for firearms, established a new form of writing: the cut-up method.Text fragments are intuitively stru
Top Gear
This is the full story of the unstoppable rise of Clarkson, Hammond, May and The Stig and how they have transformed an ordinary programme about cars into one of the most famous and best-loved TV programmes of the 21st century.
Keith Haring | Jean-Michel Basquiat
An exploration of the personal and artistic connections between two icons of twentieth-century art Keith Haring (1958–1990) and Jean-Michel Basquiat (1960–1988) changed the art world of the 1980s through their idiosyncratic imagery, radical ideas, and complex sociopolitical commentary. Each artist invented a distinct visual language, employing signs, symbols, and words to convey strong messages in unconventional ways, and each left an indelible legacy that remains a force in contemporary visual and popular culture. Offering fascinating new insights into the artists’ work, Keith Haring | Jean-Michel Basquiat reveals the many intersections among Haring and Basquiat’s lives, ideas, and ...
Deaf School
Liverpool has been a city of bands for decades, a dynamic center of musical innovation that gave the world one of the most iconic groups ever to grace popular music—The Beatles. Years later, in 1974, it nearly did it again. Rehearsing in the very same rooms that John Lennon did at the Liverpool College of Art, the band Deaf School formed, a chaotic and wildly entertaining group with a flair for rock cabaret. Avant-garde to the max, they were slated for instant stardom, signing with Warner Brothers. But the band would never have their heyday, lost in the vicissitudes of taste as Britain's punk rock revolution took hold, drowning their potential out. In Deaf School: The Non-Stop Pop Art Punk...
Theorizing Visual Studies
This forward-thinking collection brings together over sixty essays that invoke images to summon, interpret, and argue with visual studies and its neighboring fields such as art history, media studies, visual anthropology, critical theory, cultural studies, and aesthetics. The product of a multi-year collaboration between graduate students from around the world, spearheaded by James Elkins, this one-of-a-kind anthology is a truly international, interdisciplinary point of entry into cutting-edge visual studies research. The book is fluid in relation to disciplines; it is frequently inventive in relation to guiding theories; it is unpredictable in its allegiance and interest in the past of the discipline--reflecting the ongoing growth of visual studies.
