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Since 2016 AWAY - a project around residencies, under the leadership of Alexandra Grausam, has been highlighting the renowned Artists Residency Program, in which the Federal Chancellery of Austria has been sending local artists into the world since the 1970s. With the exhibition Stories from abroad, in the same year, this important area of Austrian art funding was made visibile to the broader public for the first time. A theoretical examination of the topic took place in talks and a symposium with experts, comprised in the Laboratory, AWAY's discursive program.0The book is divided into five parts, each containing a theoretical text as well as an artistic contributions, statements and diary e...
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'One of the most sought-after tenors with the stamina and heft for Wagner and the ardent warmth for Italian opera' New York Times Jonas Kaufmann is a phenomenon. With his musicality, his vocal technique and his expressive powers - to say nothing of his matinée-idol good looks - he is widely regarded as the greatest tenor of today. Thomas Voigt's intimate biography, written in collaboration with Kaufmann, reflects on the singer's artistic development in recent years; his work in the recording studio; his relationship to Verdi and Wagner; the sacrifices of success; and much more. It gives unparalleled insight into the world of one of the most captivating opera singers of the international stage. WITH CONTRIBUTIONS FROM PLÁCIDO DOMINGO, ANJA HARTEROS, ANTONIO PAPPANO AND MANY MORE 'Mr Voigt's journalistic credentials are impeccable ... Mr Kaufmann goes into detail on the physical demands of his art; he speaks eloquently on the fear to which all singers are prone' The Economist
Jason Dodge's meticulous sculptures--of such everyday objects as plumbing pipes, satellite dishes and light bulbs--deliberately belie the considerable labor put into them, whether by the artist or commissioned laborers. Reproducing works as installed for exhibition, this volume also demonstrates how Dodge builds narratives between the objects.
Stefan Banz rassemble des preuves et des documents jusqu'alors inconnus sur l'émergence, la disparition et la réception du célèbre readymade de Marcel Duchamp, Fontaine, et offre une perspective nouvelle sur cette œuvre qui apparaît comme la plus importante du XXe siècle. Stefan Banz examine en détail les cinq différentes répliques de Fountain réalisées en 1918, 1938, 1950, 1963 et 1964. Cette œuvre questionne la question de l'auteur et elle est posée pour la première fois dans l'histoire par des moyens artistiques. On découvre dans son étude que l'urinoir des deux photographies de Roché de 1918 n'est pas le même modèle que celui de la célèbre photographie de Stieglitz ...
This is the first publication devoted exclusively to Marcel Duchamp's 'Pharmacie', the first rectified readymade in the history of art.
The spectacular exhibition catalogue, Marvel: Universe of Super Heroes celebrates 80 years of Marvel history with original comics pages, amazing sculptures, artefacts, original commissions, panoramic hallways and interactive displays.Marvel Comics and Marvel Studio Films are not only the enduring voices of the Super Heroes themselves, but also the diverse visions of Marvel's writers, artists, actors and filmmakers.The catalogue features legendary comic creators, up-and-coming talent, editors, executives, artists, art collectors, actors and show-runners, along with articles about the history and power of YOU, the Marvel fans, with stories that stretch the mind regarding how we think about her...
Art&D considers changes in art practice due to media, to that new branch of art making known primarily as electronic art. Use of radio and video came first, about 25 years ago, but over the last ten years digital media and network technology have reigned. This new discipline embraces a heterogeneous collection of artistic, technological, and scientific disciplines and is also characterized by inter- and trans-disciplinary collaborations. Electronic art proved a troublesome fit for existing art institutions, necessitating the founding of specialized organizations for the funding and creation of relatively expensive, process-based projects. And they were: digital art laboratories were established around the world with the financial support of governments, arts foundations, industry, scientific programs, and so on. Art&D is a critical consideration of the many artistic, technical and theoretical aspects of making electronic art in such interdisciplinary collaborations. It sets out to describe, in layman's terms, the cultural, social, and political-economic transformations that are the result of the widespread propagation of digital techniques.
Featuring more than 150 treasures from several of the world’s most prestigious collections, Making Marvels explores the vital intersection of art, technology, and political power at the courts of early modern Europe. It was there, from the sixteenth through eighteenth centuries, that a remarkable outpouring of creativity and learning gave rise to exquisite objects that were at once beautiful works of art and technological wonders. By amassing vast, glittering collections of these ingeniously crafted objects, princes flaunted their wealth and competed for mastery over the known world. More than mere status symbols, however, many of these marvels ushered in significant advancements that have had a lasting influence on astronomy, engineering, and even international politics. Incisive texts by leading scholars situate these works within the rich, complex symbolism of life at court, where science and splendor were pursued with equal vigor and together contributed to a culture of magnificence.
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