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Modern Fantasy
After a decade from 1965 which had seen the growth in Britain and America of an enormous interest in fantasy literature, and a rise in its academic repute from cold to lukewarm, a serious study of the subject seemed long overdue. In this first critical book in its time on modern English fantasy, Colin Manlove surveys a representative group of modern fantasies—in the Victorian period in the children's scientific and Christian fantasy The Water-Babies by Charles Kingsley and the mystical fantasy of the Scottish writer George MacDonald; and from the twentieth century the interplanetary romances of C. S. Lewis, the post-war fantasy of rebellious youth in Mervyn Peake's Gormenghast books, and t...
Critical Thinking
Students need a book which can show them actual means of thinking their way into literary texts. Too often they are put off by the resistant surface of literature, or made apprehensive by its eminence, or are convinced that there is nothing more than the obvious to be said about it. This book aims to meet this need. It seeks to involve the student in the actual process of thinking about literature, showing how to start with one idea and move to further and often new insights. To this end it presents a series of demonstrations in which the reader is invited to participate, without having to accept the author's own interpretations.
The Fantasy Literature of England
In this, the first book on English fantasy, Colin Manlove shows that for all its immense diversity, English fantasy can best be understood in terms of its strong national character, rather than as an international genre. Showing its development from Beowulf to Blake, the author describes English fantasy's modern growth through secondary world, metaphysical, emotive, comic, subversive, and children's fantasy. In them all England has led the world, with authors as different as Chaucer, Lewis Carroll, J. R. R. Tolkien, and Salman Rushdie.
The Impulse of Fantasy Literature
This book grew out of the author's wish to go beyond a formal definition of fantasy to discover a basic urge and interest common to the genre. He finds this urge to be the celebration of identity. Fantasy is ultimately concerned to heighten and praise being, whether that being is God's creation, the world, or the creations of the fantasy writer themselves. This interest can take the form of direct eulogy or of more unconscious fascination. It is seen in fantasy's conservatism and its frequently elegiac mode, and is demonstrated through its formal characteristics such as circular structure and the use of juxtaposition to heighten individuality. It is more overtly present in modern than in pre...
Folklore and the Fantastic in Nineteenth-Century British Fiction
Jason Marc Harris's ambitious book argues that the tensions between folk metaphysics and Enlightenment values produce the literary fantastic. Demonstrating that a negotiation with folklore was central to the canon of British literature, he explicates the complicated rhetoric associated with folkloric fiction. His analysis includes a wide range of writers, including James Barrie, William Carleton, Charles Dickens, George Eliot, Sheridan Le Fanu, Neil Gunn, George MacDonald, William Sharp, Robert Louis Stevenson, and James Hogg. These authors, Harris suggests, used folklore to articulate profound cultural ambivalence towards issues of class, domesticity, education, gender, imperialism, nationalism, race, politics, religion, and metaphysics. Harris's analysis of the function of folk metaphysics in nineteenth- and early twentieth-century narratives reveals the ideological agendas of the appropriation of folklore and the artistic potential of superstition in both folkloric and literary contexts of the supernatural.
George MacDonald's Children's Fantasies and the Divine Imagination
The great Victorian Christian author George MacDonald is the wellspring of the modern fantasy genre. In this book Colin Manlove offers explorations of MacDonald's eight shorter fairy tales and his longer stories At the Back of the North Wind, The Princess and the Goblin, The Wise Woman, and The Princess and Curdie. MacDonald saw the imagination as the source of fairy tales and of divine truth together. For he believed that God lives in the depths of the human mind and “sends up from thence wonderful gifts into the light of the understanding.” This makes MacDonald that very rare thing: a writer of mystical fiction whose work can give us experience of the divine. Throughout his children’s fantasy stories MacDonald is describing the human and divine imagination. In the shorter tales he shows how the imagination has different regions and depths, each able to shift into the other. With the longer stories we see the imagination in relation to other aspects of the self and to its position in the world. Here the imagination is portrayed as often embattled in relation to empiricism, egotism, and greed.
Christian Fantasy
This is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein.
C. S. Lewis
This book is the first thorough analysis of the whole of Lewis' fiction to show it has behind it a considerable sophistication of literary technique and patterning. The works discussed include THE PILGRIMS REGRESS, THE RANSON TRILOGY, THE GREAT DIVORCE, the NARNIA books and TILL WE HAVE FACES. -.-.- "This is a positively brilliant book, written with splendor, elegance, profundity and evidencing an enormous amount of learning. This is probably not a book to give a first-time reader of Lewis. But for those who are more broadly read in the Lewis corpus this book is an absolute gold mine of information. The author gives us a magnificent overview of Lewis' many writings, tracing for us thoughts and ideas which recur throughout, and at the same time telling us how each book differs from the others. I think it is not extravagant to call C. S. Lewis: His Literary Achievement a tour de force." - Robert Merchant, St. Austin Review, Book Review Editor
From Alice to Harry Potter
'The longer I live, the more I am convinced of the importance of children's books.' When Robert Bloomfield wrote this in 1817 he could have had no idea of the range of children's books to come, nor of how in England fantasy would be their outstanding form. In this survey of 400 English children's fantasies from 1850 to 2000, taking in authors from the well-known Charles Kingsley, C. S. Lewis and J. K. Rowling to the less-known Annie Keary, Edith Elias and Pete Johnson, Colin Manlove shows just how good their books often are as literature. He combines new interpretations of individual works with explanations of how and why their character changes over time, reflecting their different cultural settings. This book is intended both as a critical companion for children's literature courses, and as a stimulus for the general reader and students at all levels.
