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Modern Fantasy
After a decade from 1965 which had seen the growth in Britain and America of an enormous interest in fantasy literature, and a rise in its academic repute from cold to lukewarm, a serious study of the subject seemed long overdue. In this first critical book in its time on modern English fantasy, Colin Manlove surveys a representative group of modern fantasies—in the Victorian period in the children's scientific and Christian fantasy The Water-Babies by Charles Kingsley and the mystical fantasy of the Scottish writer George MacDonald; and from the twentieth century the interplanetary romances of C. S. Lewis, the post-war fantasy of rebellious youth in Mervyn Peake's Gormenghast books, and t...
The Fantasy Literature of England
In this, the first book on English fantasy, Colin Manlove shows that for all its immense diversity, English fantasy can best be understood in terms of its strong national character, rather than as an international genre. Showing its development from Beowulf to Blake, the author describes English fantasy's modern growth through secondary world, metaphysical, emotive, comic, subversive, and children's fantasy. In them all England has led the world, with authors as different as Chaucer, Lewis Carroll, J. R. R. Tolkien, and Salman Rushdie.
The Fantasy Literature of England
In this, the first book on English fantasy, Colin Manlove shows that for all its immense diversity, English Fantasy can best be understood in terms of its strong national character, rather than as an international genre. Showing its development from Beowulf to Blake, the author describes English Fantasy's modern growth through secondary world, metaphysical, emotive, comic, subversive and children's fantasy. In them all England has led the world, with authors as different as Chaucer, Lewis Carroll, J.R.R. Tolkien and Salman Rushdie.
The Gap in Shakespeare
The first purpose of this book is to provide new readings of many of Shakespeare's major plays, unhampered by bardolatry and, so far as possible, by critical preconceptions. Among the interpretations is an argument that contradictions found in Othello emerge ultimately from Shakespeare's inability to portray a developing heterosexual relationship in any of his plays; that King Lear operates by a technique of psychological and spiritual discontinuity that forces the audience beyond rational or common-sense awareness to the deeper levels of the play; that in Macbeth the hero is portrayed as killing his king not so much for any positive motive as out of an inability to find a reason not to do s...
From Alice to Harry Potter
'The longer I live, the more I am convinced of the importance of children's books.' When Robert Bloomfield wrote this in 1817 he could have had no idea of the range of children's books to come, nor of how in England fantasy would be their outstanding form. In this survey of 400 English children's fantasies from 1850 to 2000, taking in authors from the well-known Charles Kingsley, C. S. Lewis and J. K. Rowling to the less-known Annie Keary, Edith Elias and Pete Johnson, Colin Manlove shows just how good their books often are as literature. He combines new interpretations of individual works with explanations of how and why their character changes over time, reflecting their different cultural settings. This book is intended both as a critical companion for children's literature courses, and as a stimulus for the general reader and students at all levels.
George MacDonald's Children's Fantasies and the Divine Imagination
The great Victorian Christian author George MacDonald is the well-spring of the modern fantasy genre. In this book Colin Manlove offers explorations of MacDonald's eight shorter fairy tales and his longer stories At the Back of the North Wind, The Princess and the Goblin, The Wise Woman, and The Princess and Curdie. MacDonald saw the imagination as the source of fairy tales and of divine truth together. For he believed that God lives in the depths of the human mind and “sends up from thence wonderful gifts into the light of the understanding.” This makes MacDonald that very rare thing: a writer of mystical fiction whose work can give us experience of the divine. Throughout his children’s fantasy stories MacDonald is describing the human and divine imagination. In the shorter tales he shows how the imagination has different regions and depths, each able to shift into the other. With the longer stories we see the imagination in relation to other aspects of the self and to its position in the world. Here the imagination is portrayed as often embattled in relation to empiricism, egotism, and greed.
Folklore and the Fantastic in Nineteenth-Century British Fiction
Jason Marc Harris's ambitious book argues that the tensions between folk metaphysics and Enlightenment values produce the literary fantastic. Demonstrating that a negotiation with folklore was central to the canon of British literature, he explicates the complicated rhetoric associated with folkloric fiction. His analysis includes a wide range of writers, including James Barrie, William Carleton, Charles Dickens, George Eliot, Sheridan Le Fanu, Neil Gunn, George MacDonald, William Sharp, Robert Louis Stevenson, and James Hogg. These authors, Harris suggests, used folklore to articulate profound cultural ambivalence towards issues of class, domesticity, education, gender, imperialism, nationalism, race, politics, religion, and metaphysics. Harris's analysis of the function of folk metaphysics in nineteenth- and early twentieth-century narratives reveals the ideological agendas of the appropriation of folklore and the artistic potential of superstition in both folkloric and literary contexts of the supernatural.
Scotland's Forgotten Treasure
Novelist, writer of fantastic literature, poet, lecturer, preacher, George MacDonald was a great Victorian ranked in his time alongside such writers as Dickens, Thackeray, William Morris, Charles Kingsley, and Thomas Carlyle. Though almost forgotten in the more secular age that followed his death, MacDonald's fantastic work nevertheless inspired C.S. Lewis, and enjoyed a revival with the new interest in fantasy literature in the 1970s. MacDonald's fiction belongs not only to modern fantasy, however, but to the whole tradition of supernatural literature from Greek myth to Dante, Spenser, Blake and German Romantic fairy tale-all, like him, now neglected. He is a great visionary writer who still speaks to us in profound ways.
Hog's Head Conversations
"Aberforth! Two more fire whiskeys for these friends! Welcome, HARRY POTTER readers, to the Hog s Head, the gathering place for members of Dumbledore s Army and the historic rallying point before the Battle of Hogwarts. We scholars of the Hogwarts Saga (Harry Potter s triumph over the Dark Lord) have come together here to share our researches on the meaning of Harry s seven adventures. Listen attentively to discover hidden secrets of the series and learn why the books are worthy to be studied more closely! Sip that fire whiskey slowly. Sit back and enjoy the ten best Hog s Head conversations of the past year, edited into this handy collection. And don t forget to throw your peanut shells to the goat in the corner. [includes essays by John Granger, Colin Manlove, Amy H. Sturgis, James W. Thomas and many others].
C. S. Lewis
This book is the first thorough analysis of the whole of Lewis' fiction to show it has behind it a considerable sophistication of literary technique and patterning. The works discussed include THE PILGRIMS REGRESS, THE RANSON TRILOGY, THE GREAT DIVORCE, the NARNIA books and TILL WE HAVE FACES. -.-.- "This is a positively brilliant book, written with splendor, elegance, profundity and evidencing an enormous amount of learning. This is probably not a book to give a first-time reader of Lewis. But for those who are more broadly read in the Lewis corpus this book is an absolute gold mine of information. The author gives us a magnificent overview of Lewis' many writings, tracing for us thoughts and ideas which recur throughout, and at the same time telling us how each book differs from the others. I think it is not extravagant to call C. S. Lewis: His Literary Achievement a tour de force." - Robert Merchant, St. Austin Review, Book Review Editor
