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Profiles in Survival
The stories of seven men and one woman from Indiana who survived the horrors of captivity under the Japanese in the Pacific during World War II are captured in vivid detail. These Hoosiers were ordered to surrender following the fall of Bataan and Corregidor in 1942. It was the largest surrender of American armed forces in U.S. history and the beginning of three years of hell starting with the infamous Bataan Death March, facing brutal conditions in POW camps in the Philippines, and horrific journeys to Japan for some onboard what came to be known as “hellships.” Former Indiana governor Edgar D. Whitcomb, one of those featured in the book, notes that the American prisoners had to endure “unimaginable misery and brutality at the hands of sadistic Japanese guards,” as they were routinely beaten and many were executed for the most minor offenses, or for mere sport. In addition to Whitcomb, those profiled include Irvin Alexander, Harry Brown, William Clark, James Duckworth, Eleanor Garen, Melvin McCoy, and Hugh Sims.
Making the Empire Work
Millions of laborers, from the Philippines to the Caribbean, performed the work of the United States empire. Forging a global economy connecting the tropics to the industrial center, workers harvested sugar, cleaned hotel rooms, provided sexual favors, and filled military ranks. Placing working men and women at the center of the long history of the U.S. empire, these essays offer new stories of empire that intersect with the “grand narratives” of diplomatic affairs at the national and international levels. Missile defense, Cold War showdowns, development politics, military combat, tourism, and banana economics share something in common—they all have labor histories. This collection cha...
Cinematic Independence
"Cinematic Independence traces the emergence, demise, and rebirth of big-screen film exhibition in Nigeria. Film companies flocked to Nigeria in the years following independence, beginning a long history of interventions by Hollywood and corporate America. The 1980s and 90s saw a shuttering of cinemas, which were almost entirely replaced by television and direct-to-video movies. After 1999, the exhibition sector was again revitalized with the construction of multiplexes. Cinematic Independence is about the periods that straddle this disappearing act: the decades bracketing independence in 1960, and the years after 1999. At stake in both instances is the postcolony's role in global debates about the future of the movie theater. That it was eventually resurrected in the flashy form of the multiplex is not simply an achievement of commercial real estate but also a testament to cinema's persistence--its capacity to stave off annihilation or, in this case, come back from the dead"--
