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Comic books are high art. They–and their graphic novel counterparts–harken back to classic literature and artworks. Through a series of essays, the authors will illustrate that modern pop culture characters are direct descendants of classic works of literature and their visual depiction is inspired by the works of master artists. Join us as we peel back layers to discover gothic influences, representations of badass females, uses of the mask, and the new look of Rappaccini’s Daughter as well as discuss teaching comics in college, Black identity and power, mythological and religious tie-ins, and many more correlations hidden within the pages of action-packed heroes and villains. The essayists in this collection are, first and foremost, comic book fans with extensive backgrounds in art, film, education, literature, and writing. Comics Lit Vol. 1 contains essays by Alyson Shelton, Eric Lee, Kelly Gaines, Seth Singleton, AA McCartney, Heath Fodor, A.R. Farina, Tonya Todd, and Anthony D. Holt Jr. Foreword by Bryan Edward Hill.
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A collection of essays by an international cast of scholars, experts, and fans, providing a definitive, one-stop Manga resource.
Graphic Novel. This first volume, collecting issues 20-27 of THE SAGA OF THE SWAMP THING, also features a foreword by famed horror author Ramsey Campbell and a new introduction by Swamp Thing co-creator and original series editor Len Wein.
Baghdad, 2003. The reign of Saddam Hussein is over. The Americans are in command. And no one is in control. Former cop turned military contractor Christopher Henry knows that better than anyone. He’s in the country to train up a new Iraqi police force, and one of his recruits has just been murdered. With civil authority in tatters and dead bodies clogging the streets, Chris is the only person in the Green Zone with any interest in finding out who killed him-and why. Chris’ inquiry brings him first to Sofia, an American-raised Iraqi who now sits on the governing council, and then to Nassir, a grizzled veteran of Saddam’s police force-and probably the last real investigator left in Baghd...
THE ART OF COMICS The Art of Comics: A Philosophical Introduction is the first-ever collection of essays published in English devoted to the philosophical questions raised by the art of comics. The volume, which includes a preface by the renowned comics author Warren Ellis, contains ten cutting-edge essays on a range of philosophical topics raised by comics and graphic novels. These include the definition of comics, the nature of comics genres, the relationship between comics and other arts such as film and literature, the way words and pictures combine in comics, comics authorship, the “language” of comics, and the metaphysics of comics. The book also contains an in-depth introduction by the co-editors which provides an overview of both the book and its subject, as well as a brief history of comics and an overview of extant work on the philosophy of comics. In an area of growing philosophical interest, this volume constitutes a great leap forward in the development of this fast expanding field, and makes a major contribution to the philosophy of art.
Winner of: 2015 ALA Great Graphic Novels for Teens Nominee: 2015 YALSA Quick Picks for Reluctant Young Adult Readers The Community of Literary Magazines and Presses, Firecracker Awards, Graphic Novel As the summer of 1998 nears, Mark McGwire and Sammy Sosa are racing each other to break the home-run record, Bill Clinton is being questioned about a certain Monica Lewinsky, Semisonic's "Closing Time" is top of the charts, and Carl Carter is leading the Elizabeth Monarchs of rural Vermont to the state championship his senior year. The world is Carl's oyster: a full scholarship to the University of Maine awaits, going pro after college isn't out of the question, and he's so good he can do whatever he wants—until, that is, he makes one very arrogant mistake. Acclaimed graphic novelist Jesse Lonergan offers readers a thought-provoking exploration of the fleeting highs of success in this engrossing book.
Since Kate Beaton appeared on the comics scene in 2007 her cartoons have become fan favourites and gathered an enormous following, appearing in the New Yorker, Harper and the LA Times, to name but a few. Her website, Hark! A Vagrant, receives an average of 1.2 million hits a month, 500 thousand of them unique. Why? Because she's not just making silly jokes. She's making jokes about everything we learned in school, and more. Praised for their expression, intelligence and comic timing, her cartoons are best known for their wonderfully light touch on historical and literary topics. The jokes are a knowing look at history through a very modern perspective, written for every reader, and are a cru...
This anthology hosts a collection of essays examining the role of comics as portals for historical and academic content, while keeping the approach on an international market versus the American one. Few resources currently exist showing the cross-disciplinary aspects of comics. Some of the chapters examine the use of Wonder Woman during World War II, the development and culture of French comics, and theories of Locke and Hobbs in regards to the state of nature and the bonds of community. More so, the continual use of comics for the retelling of classic tales and current events demonstrates that the genre has long passed the phase of for children’s eyes only. Additionally, this anthology also weaves graphic novels into the dialogue with comics.
GOODREADS CHOICE AWARD WINNER FOR GRAPHIC NOVELS AND COMICS! These casually drawn, perfectly on-point comics by the hugely popular young artist Sarah Andersen are for the rest of us. They document the wasting of entire beautiful weekends on the internet, the unbearable agony of holding hands on the street with a gorgeous guy, and dreaming all day of getting home and back into pajamas. In other words, the horrors and awkwardnesses of young modern life. Oh and they are totally not autobiographical. At all. Adulthood Is a Myth presents many fan favorites plus dozens of all-new comics exclusive to this book. Sarah's frankness on personal issues like body image, self-consciousness, introversion, relationships, and the frequency of bra-washing makes her comics highly relatable and deeply hilarious, showcasing how she became one of the most influential voices in web cartoonists.