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A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions coverin...
This volume is the first to consider the golden century of Gothic ivory sculpture (1230-1330) in its material, theological, and artistic contexts. Providing a range of new sources and interpretations, Sarah Guérin charts the progressive development and deepening of material resonances expressed in these small-scale carvings. Guérin traces the journey of ivory tusks, from the intercontinental trade routes that delivered ivory tusks to northern Europe, to the workbenches of specialist artisans in medieval Paris, and, ultimately, the altars and private chapels in which these objects were venerated. She also studies the rich social lives and uses of a diverse range of art works fashioned from ivory, including standalone statuettes, diptychs, tabernacles, and altarpieces. Offering new insights into the resonances that ivory sculpture held for their makers and viewers, Guérin's study contributes to our understanding of the history of materials, craft, and later medieval devotional practices.
The traditional picture is that there is little information about Tongeren, the capital of the civitas Tungrorum in Roman times, from Late Antiquity onwards. In the last twenty years or so, very cautiously, voices have been raised to nuance the story of the general decline of Tongeren from the beginning of the fifth century. A recurring question is whether Tongeren remained inhabited and what its function might have been. A key site is the Roman basilica, the predecessor of an early medieval church. A key figure is the bishop, whose seat was moved to neighbouring Maastricht in the sixth century. Based on an extensive database, a picture of late Roman Tongeren is drawn, with its public and pr...
Contains a résumé of the proceedings of the "Commission royale des monuments," the "Commission du Musée royal de peinture et de sculpture," and the "Commission du Musée royal d'antiquités, d'armures et d'artillerie," and also other articles and notices concerning the art and archaeology of Belgium.