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The Picaresque
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The Substance of Cervantes
A 1986 examination of the foundation upon which Cervantes constructed his works from La Galatea (1585) to Persiles y Sigismunda (1617).
Between the Sacred and the Worldly
This groundbreaking work argues that the seminal concept of recogimiento functioned as a metaphor for the colonial relationship between Spain and Lima. Ubiquitous and flexible, recogimiento had three related meanings—two cultural and one institutional—that developed over a 200-year period in Renaissance Spain and the viceregal capital, Lima. Female and male religious conceptualized recogimiento as a mystical praxis that aspired toward "union" with God, and it was also articulated as a fundamental virtue of enclosure and quiescent conduct for women. As an institutional practice, recogimiento involved substantial numbers of women and girls living in convents, lay pious houses, schools, and...
The Poetry of Change
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The Noble Merchant
Jones argues that the Old French epic Hervis de Mes offers valuable insight into the expansion and diversification of a prominent medieval genre. In the early thirteenth century, the chanson de geste diversified by assimilating plots, compositional modes, and narrative strategies that had previously been the domain of romance, and yet was still excluded from the literary canon. Jones reclaims this thirteenth-century work for modern readers.
The Life and Times of Mother Andrea
The anonymous novella 'The Life and Times of Mother Andrea' is an account of the life of the owner of a Madrid brothel. Probably written by a resident of Amsterdam, and following the picaresque mode of first person narrative, it details the amusing experiences of Mother Andrea and the prostitutes under her charge.
La Corónica
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"Dueñas" and "doncellas"
Conchita Herdman Marianella's book develops the words "Duena" and" Doncella" in their Cervantine context. The book offers the two sides of this character type in pre-Cervantine usage, from the tendency of the duena or doncella to appear as a lady-in-waiting, damsel in distress, or other high-level intermediary and to behave in patterns commensurate with that socio-cultural status, to the stereotyped, irate, scheming, gossiping chaperone. While Cervantes often uses this second type in other prose works, the relationship between the two semantic fields becomes much more complex in the Quijote, so explicitly constructed as a satire of the earlier style. It is this tangle of character type and history that Marianella unwinds. This analysis newly illuminates the episode of Dona Rodriguez, one of the pinnacles of the creative craft of the Quijote.
Void and Voice
A close reading of Andre Gide's three major first-person narratives - L'Immoralist, La Porte etroite and La Symphonie pastorale - through the lens of semiotics and narratology. The author argues Gide's position as a pre-postmodernist who uses narrative strategies to connect story and self.
