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A local medical expert and sheriff are summoned to investigate a strange sighting that sets the stage for Conor Stechschulte’s debut graphic novella: a severed human head that still seems to be talking. We flashback to a pair of butchers who arrive at work one morning to find not only that there is no meat in their shop but also that they have forgotten completely how to do their job. As customers arrive, they are too fearful for their livelihood to admit their dilemma, leading to increasingly disastrous events. But what has caused their strange amnesia? This often hilarious, enigmatic and uncomfortable book will establish Stechschulte as an exciting new talent.
Analyzing the way that recent works of graphic narrative use the comics form to engage with the “problem” of reproduction, Shiamin Kwa’s Perfect Copies reminds us that the mode of production and the manner in which we perceive comics are often quite similar to the stories they tell. Perfect Copies considers the dual notions of reproduction, mechanical as well as biological, and explores how comics are works of reproduction that embed questions about the nature of reproduction itself. Through close readings of the comics My Favorite Thing Is Monsters by Emil Ferris, The Black Project by Gareth Brookes, The Generous Bosom series by Conor Stechschulte, Sabrina by Nick Drnaso, and Panther by Brecht Evens, Perfect Copies shows how these comics makers push the limits of different ideas of “reproduction” in strikingly different ways. Kwa suggests that reading and thinking about books like these, that push us to engage with these complicated questions, teaches us how to become better readers.
Something is very wrong in the town of Obadiah's Glen. The streets are empty. The phones don't work. The cars are all gone ? and so are the people, at least most of them. The ones who are left are hiding and shivering in fear. They know it's only a matter of time before the clowns come and get them. Because the town of Obadiah's Glen now belongs to the clowns. And these clowns have a special secret, one that lies buried in the old cemetery on the hill...The Grave Robber's Daughter is a deliciously scary thrill ride from the author of the critically acclaimed horror graphic novel The Chuckling Whatsit ("A masterpiece!" ? Rue Morgue Magazine) and stars Judy Drood, the highly strung and short-tempered girl sleuth. The Grave Robber's Daughter is filled with Sala's unique blend of horror and whimsy that will please his many fans and new readers alike.
In 1976, a fledgling magazine held forth the the idea that comics could be art. In 2016, comics intended for an adult readership are reviewed favorably in the New York Times, enjoy panels devoted to them at Book Expo America, and sell in bookstores comparable to prose efforts of similar weight and intent. We Told You So: Comics as Art is an oral history about Fantagraphics Books’ key role in helping build and shape an art movement around a discredited, ignored and fading expression of Americana. It includes appearances by Chris Ware, Art Spiegelman, Harlan Ellison, Stan Lee, Daniel Clowes, Frank Miller, and more.
Matthew Thurber’s Art Comic is a blunt and hilarious assault on the swirling hot mess that is the art world. From sycophantic fans to duplicitous gallerists, fatuous patrons to self-aggrandizing art stars, he lampoons each and every facet of the eminently ridiculous industry of truth and beauty. Follow Cupcake, the Matthew Barney obsessive; Epiphany née Tiffany Clydesdale, the divinely inspired performance artist; Ivanhoe, a modern knight in search of artistic vengeance, and his squire, Turnbuckle. Each artist is more ridiculous than the last, yet they are tested and transformed by the even more absurd machinations of Thurber’s fantastical art world. Can the Free Little Pigs destroy thi...
Windowpane is Joe Kessler's 'one-man-anthology' of short-narrative, experimental, sometimes-allegorical comics. Collecting material from previous issues, this beautiful edition - printed in offset lithography - is the perfect backdrop for Kessler's quietly disconcerting, hallucinogenic work. It is a visual delight that showcases the unrestrained talent and mastery of one of the UK's most exciting cartoonists.
Collects original comic strips from American authors and illustrators published in comic and graphic novel format
"Chippendale's . . . obsessively detailed [comics] feel like [they've] been shot straight from his brain onto the page." -Village Voice Puke Force is social satire written dark and dense across Brian Chippendale's deconstructed multiverse of walking, talking M&Ms, hamsters, and cycloptic-yet-glamorous trivia hosts. In scathingly funny single-page strips that build and build, he takes on social media narcissism, governmental propaganda, racism, and a culture of violence, skewering the malice of the right and the hypocrisies of the left. A bomb explodes in a coffee shop: the incident is played out over and over again from the perspective of each table in the shop, revisiting moments from ten a...
Award-winning cartoonist Ben Katchor picks the best graphic pieces of the year.
Qviet focuses on the abstractions of sex, of seeing, and the fluid relations between the two.