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The transformation of the American sense of religious identity and destiny that occurred toward the end of the nineteenth century and the beginning of the twentieth is illustrated through a literary and cultural analysis of the fiction of Willa Cather and Theodore Dreiser.
Love Valley is a small town in rural North Carolina. Its genesis in 1954 marked the fulfillment of a dream for founder Andy Barker. Barker cultivated two visions as a young man--he wanted to build a Christian community, and he wanted to be a cowboy. The result of his vision is Barker's utopian experiment. The town boasts a saloon, general store, hitching posts, and rodeos. Yet, above all of this stands a little church--the heart of what Barker conceived as his Christian utopia. This unique combination has led to more than forty years of philanthropic ventures, controversial events such as the Love Valley Rock Festival, stories and legends, and political ambition. Love Valley: An American Utopia captures the history of this town in narrative form while arguing that Love Valley's founders were motivated by utopian goals.
An exploration of secularization in America, this book provides students with an innovative way of understanding the relationship between religion and secular culture. In Secular Steeples, Conrad Ostwalt challenges long-held assumptions about the relationship between religion and culture and about the impact of secularization. Moving away from the idea that religion will diminish as secularization continues, Ostwalt identifies areas of popular culture where secular and sacred views and objectives interact and enrich each other. The book demonstrates how religious institutions use the secular and popular media of television, movies, and music to make sacred teachings relevant. From megachurches to sports arenas, the Bible to Harry Potter, biker churches to virtual worship communities, Ostwalt demonstrates how religion persists across cultural forms, secular and sacred, with secular culture expressing religious messages and sometimes containing more authentic religious content than official religious teachings. An ideal text for anyone studying religion and popular culture, each chapter provides questions for discussion, a list of important terms and guided readings.
The Glattfelder etc. families originally of Switzerland. Casper Glattfelder (1709-1774/75) and his brother, Johannes Peter Glattfelder (1700-1742), were sons of Felix Glattfelder and Barbara Gorius, both born in Glattfelden, Eglisau, Zurich, Switzwerland. Casper married (1) Elizabeth Lauffer (1711-1743/46) in 1731 in Switzerland, and (2) Anna Maria? (d. 1775) about 1745 in Pennsylvania. He died in Codorus Twp., York Co., Pa. Johannes Peter Glattfelder married Salomea AmBerg (b. 1704) 1721 in Glattfelden. Hons Heinrich Glattfelder (1671-1734) was also born in Glattfelden, where he married Dorothea Gorius (d. 1719) in 1693. Descendants live in York Co., Pa., Davidson Co., N.C., Tennessee, Ohio, Indiana, Illinois, Kansas, Missouri, California, Switzerland and elsewhere.
In the 1990s alone, more than 400 works on angels were published, adding to an already burgeoning genre. Throughout the centuries angels have been featured in, among others, theological works on scripture; studies in comparative religions; works on art, architecture and music; philological studies; philosophical, sociological, anthropological, archeological and psychological works; and even a psychoanalytical study of the implications that our understanding of angels has for our understanding of sexual differences. This bibliography lists 4,355 works alphabetically by author. Each entry contains a source for the reference, often a Library of Congress call number followed by the name of a university that holds the work. More than 750 of the entries are annotated. Extensive indexes to names, subjects and centuries provide further utility.
Scholars of religion have begun to explore horror and the monstrous, not only within the confines of the biblical text or the traditions of religion, but also as they proliferate into popular culture. This exploration emerges from what has long been present in horror: an engagement with the same questions that animate religious thought – questions about the nature of the divine, humanity's place in the universe, the distribution of justice, and what it means to live a good life, among many others. Such exploration often involves a theological conversation. Theology and Horror: Explorations of the Dark Religious Imagination pursues questions regarding non-physical realities, spaces where both divinity and horror dwell. Through an exploration of theology and horror, the contributors explore how questions of spirituality, divinity, and religious structures are raised, complicated, and even sometimes answered (at least partially) by works of horror.
Not only is Doctor Who the longest-running science fiction TV show in history, but it has also been translated into numerous languages, broadcast around the world, and referred to as the “way of the future” by some British politicians. The Classic Doctor Who series built up a loyal American cult following, with regular conventions and other activities. The new series, relaunched in 2005, has emerged from culthood into mass awareness, with a steadily growing viewership and major sales of DVDs. The current series, featuring the Eleventh Doctor, Matt Smith, is breaking all earlier records, in both the UK and the US. Doctor Who is a continuing story about the adventures of a mysterious alien known as “the Doctor,” a traveller of both time and space whose spacecraft is the TARDIS (Time and Relative Dimensions in Space), which from the outside looks like a British police telephone box of the 1950s. The TARDIS is “bigger on the inside than on the outside”—actually the interior is immense. The Doctor looks human, but has two hearts, and a knowledge of all languages in the universe. Periodically, when the show changes the leading actor, the Doctor “regenerates.”
Monstrous Kinships: Realism and Attachment Theory in the Novels of Mary Shelley, Herman Melville, Thomas Hardy, Stephen Crane, Theodore Dreiser, and Vladimir Nabokov investigates the connection between realist fiction of the nineteenth and early twentieth century and the psychoanalytic approach of John Bowlby's Attachment Theory. While traditional Freudian psychology derives from the conventional romanticism of the nineteenth century, Attachment Theory arises from the guiding principles of realism and the veratist's devotion to long-term, direct observation of subject matter. Additionally, because Attachment Theory originated in the field of child psychoanalysis, this book highlights the det...
Conrad Ostwalt explores the confluence of religion and popular cultural forms in the secular world, demonstrating that a secular religiosity has co-opted some of the functions previously reserved for religions institutions.