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Reflecting the dynamic creativity of its subject, this definitive guide spans the evolution, aesthetics, and practice of today’s digital art, combining fresh, emerging perspectives with the nuanced insights of leading theorists. Showcases the critical and theoretical approaches in this fast-moving discipline Explores the history and evolution of digital art; its aesthetics and politics; as well as its often turbulent relationships with established institutions Provides a platform for the most influential voices shaping the current discourse surrounding digital art, combining fresh, emerging perspectives with the nuanced insights of leading theorists Tackles digital art’s primary practical challenges – how to present, document, and preserve pieces that could be erased forever by rapidly accelerating technological obsolescence Up-to-date, forward-looking, and critically reflective, this authoritative new collection is informed throughout by a deep appreciation of the technical intricacies of digital art
In May 2005, the University of Wales Aberystwyth hosted the First International Conference on Consciousness, Theatre, Literature, and the Arts. 80 delegates from fourteen countries attended the conference. This book collects 40 of the papers presented, characteristic of the wide range of topics and disciplines represented at the conference.
The Physical Nature of Consciousness contains twelve chapters that discuss recent and new perspectives on the relation between modern physics and consciousness. Stuart Hameroff opens with an extended and updated exposition of the Penrose/Hameroff Orch-OR model, and subsequently addresses recent criticisms of quantum approaches to the brain. Evan Walker presents his view on consciousness from the perspective of a new approach to the integration of quantum theory and relativity. Friedrich Beck elaborates on the Beck/Eccles quantum approach to consciousness. Karl Pribram puts the holographic view on consciousness in perspective of his life long work. Peter Marcer and Edgar Mitchell explain the ...
Why are we conscious? What role did this mental trait evolve to play in modulating behavior? Or is consciousness just an epiphenomenon, a useless byproduct of otherwise self-sufficient brain activity? This book offers a historical approach to these philosophical questions. It contextualizes and philosophically analyzes William James's long-overlooked work on consciousness. James's old work on consciousness is in effect discarded science-but the book shows that discarded science can yield surprising insights on issues that are still being debated today.
This volume explicates Paul de Man's late project of a critique of aesthetic ideology and attempts to extend it in ways productive for critical thought.