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The Legend of Good Women
Essays re-examining the Legend of Good Women, placing it in its cultural and historical context.
Equally in God's Image
Equally in God's Image: Women in the Middle Ages is a volume of essays presenting the argument that with the coming of the universities women were excluded, in an apartheid of gender, from education and power. It discusses the resulting paradigm shift from Romanesque to Gothic, describing the images which women had of themselves and which the dominant male society had of them. We meet, in the pages of this book, medieval women in their roles as writers, pilgrims, wives, anchoresses and nuns, at court, on pilgrimage, in households and convents. The volume, as a «Distant Mirror» for ourselves today, seeks to present ways in which women then fulfilled the roles society expected of them and the ways in which they also subverted - through entering into textuality - the expectations of the dominating culture in order to quest identity and equality.
Reassessing the Roles of Women as 'Makers' of Medieval Art and Architecture
These volumes propose a renewed way of framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women. Today’s standard division of artist from patron is not seen in medieval inscriptions—on paintings, metalwork, embroideries, or buildings—where the most common verb is 'made' (fecit). At times this denotes the individual whose hands produced the work, but it can equally refer to the person whose donation made the undertaking possible. Here twenty-four scholars examine secular and religious art from across medieval Europe to demonstrate that a range of studies is of interest not just for a particular time and place but because, fro...
Staging History
Staging History unites essays by nine specialists in the field of late medieval and early Renaissance drama. Their focus is on English, Dutch and Humanist German drama, as well as on a modern Swiss adaptation of Shakespeare’s Henry V.
Vision, Devotion, and Self-Representation in Late Medieval Art
This book investigates the 'owner portrait' in the context of late medieval devotional books primarily from France and England. These mirror-like pictures of praying book owners respond to and help develop a growing concern with visibility and self-scrutiny that characterized the religious life of the laity after the Fourth Lateran Council in 1215. The image of the praying book owner translated pre-existing representational strategies concerned with the authority and spiritual efficacy of pictures and books, such as the Holy Face and the donor image, into a more intimate and reflexive mode of address in Psalters and Books of Hours created for lay users. Alexa Sand demonstrates how this transformation had profound implications for devotional practices and for the performance of gender and class identity in the striving, aristocratic world of late medieval France and England.
Topographies of Gender in Middle High German Arthurian Romance
This book explores the metaphor of topography as a mechanism for the inscription of gender roles in Arthurian romance.
Maarten van Heemskerck’s Rome
This book presents the first sustained study of the stunning drawings of Roman ruins by Haarlem artist Maarten van Heemskerck (1498–1574; in Rome, 1532–ca. 1537). In three parts, Arthur J. DiFuria describes Van Heemskerck’s pre-Roman training, his time in Rome, and his use his ruinscapes for the art he made during his forty-year post-Roman phase. Building on the methods of his predecessors, Van Heemskerck mastered a dazzling array of methods to portray Rome in compelling fashion. Upon his return home, his Roman drawings sustained him for the duration of his prolific career. Maarten van Heemskerck’s Rome concludes with the first ever catalog to bring together all of Van Heemskerck’s ruin drawings in state-of-the-art digital photography.
Medieval Mothering
First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Chaucer's Wife of Bath's Prologue and Tale
The Chaucer Bibliography series aims to provide annotated bibliographies for all of Chaucer's work. This book summarizes 20th-century commentaries on Chaucer's "Wife of Bath's Prologue" and "Tale."
To One Shut in From One Shut Out: Anchoritic Rules in England From The Eleventh To The Fourteenth Century
This study analyses anchoritic guides written in England from eleventh to fourteenth centuries to observe the changes in the attitudes of the authors towards their primary audiences and by this way concerns itself with the life in the anchorhold and the possible changes in the meaning and basic elements of the solitary religious pursuit for both the authors and the primary audience of the anchoritic rules. After a close analysis of the Images, motifs and some highly Important themes of the texts such as enclosure and virginity, the present study points out certain shifts in the discourses of the authors and comments on the possible reasons for these changes. The author in the end reaches the conclusion that the regulations for the life of an anchoress were shaped around the general tendencies and contemplative trends of the period, as well as the personal inclinations of the advisors.
