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The Advocate
The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.
How I Learned to Cook
Autobiographical work telling the author's story through short chapters and recipes associated with those stories, together charting the author's development as artist, wife, mother, and culinary practitioner. "Barbara Shark is an artist and partner in Shark's Ink., a fine art printing and publishing company. She lives in Lyons, Colorado"--Back cover.
General Register
Announcements for the following year included in some vols.
Cooking Without Made Easy
This is the third book in the 'Cooking Without' collection written by nutritional therapist Barbara Cousins. This series of cook books has been an enormous success. They have been recommended by nutritional therapists all over the world and have transformed the lives of thousands of people. In 'Cooking Without Made Easy' Barbara offers ultra-simple new recipes all of which are free from gluten, dairy, sugar and yeast. They include lots of one-pot meals, and cakes and cookies also rely on the all-in-one method for simplicity. In this book Barbara summarises the effect that 'Cooking Without' can have on people's lives. Barbara tells her own story and includes lots of client case histories to inspire you. They help one to realise the extent to which dietary measures can improve not only our physical health but our mental and emotional states too.
Cooking Without
Explains how eating the right foods at the right interval can help energy-lack, elimination, healing and weight control.
Out of Line
Blood, Bones, & Butter meets A Devil in the Kitchen in this funny, fierce, and poignant memoir by world-renowned chef, restaurateur, and Top Chef judge Barbara Lynch, recounting her rise from a hard-knocks South Boston childhood to culinary stardom.
Telephone Directory
Each issue includes a classified section on the organization of the Dept.
The Nation's Stage
“There is a connection, hard to explain logically but easy to feel, between achievement in public life and progress in the arts. The age of Pericles was also the age of Phidias. The age of Lorenzo de Medici was also the age of Leonardo da Vinci. The age of Elizabeth was also the age of Shakespeare, and the new frontier for which I campaign in public life can also be a new frontier for American art.” —John F. Kennedy When the John F. Kennedy Center for the Performing Arts opened in our nation’s capital on September 8, 1971, its mission was to be the “national center for the performing arts.” Forty years later the Center has succeeded in that mission and continues to celebrate it...
The Fantasy Principle
Contemporary psychoanalysis needs less reality and more fantasy; what Michael Vannoy Adams calls the 'fantasy principle'. The Fantasy Principle radically affirms the centrality of imagination. It challenges us to exercise and explore the imagination, shows us how to value vitally important images that emerge from the unconscious, how to evoke such images, and how to engage them decisively. It shows us how to apply Jungian techniques to interpret images accurately and to experience images immediately and intimately through what Jung calls 'active imagination'. The Fantasy Principle makes a strong case for a new school of psychoanalysis - the school of 'imaginal psychology' - which emphasizes the transformative impact of images. All those who desire to give individuals an opportunity to become more imaginative will find this book fascinating reading.
Tonight At 8.30
Written as a vehicle for Coward's own acting talents alongside his frequent stage partner Gertrude Lawrence, Tonight at 8:30 is Coward's ambitious series of ten one-act plays which saw him breathe new life into the one-act form. First performed in London in 1936, the plays perfectly showcase Coward's talents as a playwright, providing a sparkling, fast-paced and remarkably varied selection of theatrical gems. All ten plays are collected together into this volume that features both Coward's own preface and an introduction by Barry Day, editor of The Letters of Nöel Coward. Coward wrote of the first series of three plays with characteristic delight: 'They are all brilliantly written, exquisit...
