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Awoken to the Truth: A Werewolf Romance (The Alpha Prince's Luna Book 1)
Bernard is the future Alpha of his clan. He is the Prince of their Kingdom. The Royal witch has foreseen his mate from the common people. She is Cordelia, the adopted daughter of a farmer. Cordelia is forced to marry Bernard since they never met before. Their relationship has a rocky start and Cordelia resents that Bernard has a lover named Freya. Later on, Cordelia and Bernard gets closer but Cordelia discovers the secret of the werewolf kingdom. Cordelia flees to a tribe and she discovers her true self as well. She is a werewolf herself. Bernard realizes that Cordelia is his true love so he searches for her. They realize that they are destined mates.
Fight for This Love: A Werewolf Romance (The Alpha Prince's Luna Book 2 The End)
Bernard is the future Alpha of his clan. He is the Prince of their Kingdom. The Royal witch has foreseen his mate from the common people. She is Cordelia, the adopted daughter of a farmer. Cordelia is forced to marry Bernard since they never met before. Their relationship has a rocky start and Cordelia resents that Bernard has a lover named Freya. Later on, Cordelia and Bernard gets closer but Cordelia discovers the secret of the werewolf kingdom. Cordelia flees to a tribe and she discovers her true self as well. She is a werewolf herself. Bernard realizes that Cordelia is his true love so he searches for her. They realize that they are destined mates.
The Roaring Girl
Ward was in a New York banking family, brother of Julia Ward Howe, married into the Astor family, was in the Gold Rush, involved in the social life of New York and London, and was an epicure. He was also a very powerful lobbying influence on Congress and an author. His family connections and friends were prominent in many fields.
Scottish Art since 1960
Craig Richardson here addresses key areas of cultural politics and identity in a way that not only illuminates the development of Scottish art, but teases out another strand of the plurality of developments which led to the success of artists throughout the UK in the 1990s. It is of the highest relevance whether one's perspective is that of the development of the Scottish art, British art or European art of this period. The book adds significantly to our knowledge of the art of this period in a way that will aid not only our historical understanding but our understanding of the dynamics of art practice today. Providing an analysis and including discussion (interviewing artists, curators and ...
Beyond the Last Dragon
Edwin Morgan's restless imagination moved easily between multiple worlds, voices and identities. His own life story, told here for the first time, also reveals a range of identities - as academic, cultural activist, radical writer, international traveller, gay man and national poet. These identities were sometimes in conflict, or kept hidden and apart. Beyond the Last Dragon, written with his full support, explores hitherto unknown archive resources and creative work. It recounts an amazing and sometimes troubled career, using the poet's own letters, poems and plays from the 1930s to the present day to uncover the origins of his remarkable - and life-long - inventiveness and flair. All this is set against Edwin Morgan's moving struggle against 'the last dragon' of cancer, and to remain creatively alive in the face of suffering in the final years of his life. This prize-winning biography was published just days after the poet's death. James McGonigal now adds a new chapter to describe subsequent events.
Performing Brecht
Performing Brecht is an unprecedented history of the productions of Brecht's plays in Britain over forty years. Margaret Eddershaw surveys all aspects of Brecht in performance, from his methodologies to his place in postmodernist theatre and beyond. She focuses on key productions by directors including George Devine, Sam Wanamaker, William Gaskill, Howard Davies, John Dexter and Richard Eyre. Eddershaw also provides three in-depth case studies of productions in the 1990s, incorporating her own exclusive access to the rehearsals and in-depth interviews with directors and performers. The case studies are: * The Good Person of Sechuan, directed by Deborah Warner and starring Fiona Shaw; * Mother Courage, directed by Philip Prowse and starring Glenda Jackson; * The Resistable Rise of Arturo Ui, directed by Di Trevis and starring Antony Sher
The Cry
None
A Performance Cosmology
Exploring thirty years of work by The Centre for Performance Research (CPR), A Performance Cosmology explores the future challenges of performance and theatre through a diverse and fascinating series of interviews, testimonies and perspectives from leading international theatre practitioners and academics. Contributors include: Philip Auslander, Rustom Bharucha, Tim Etchells, Jane Goodall, Guillermo Gomez-Pena, Jon Mckenzie, Claire MacDonald, Susan Melrose, Alphonso Lingis, Richard Schechner, Rebecca Schneider, Edward Scheer, and Freddie Rokem. A Performance Cosmology is structured as a travelogue through a matrix of strategic, imaginary, interdisciplinary field stations. This innovative framework enables readings which disrupt linearity and afford different forms of thematic engagement. The resulting volume opens entirely new vistas on the old, new, and as yet unimagined, worlds of performance.
The Cambridge Companion to English Renaissance Tragedy
Introducing the reader to important topics in English Renaissance tragedy, this Companion presents fresh readings of key texts.
Edinburgh's Festivals
In August 1947, an émigré Austrian opera impresario launched the Edinburgh International Festival of Music and Drama to heal the scars of the Second World War through a celebration of the arts. At the same time, a socialist theatre group from Glasgow and other amateur companies protested their exclusion from the festival by performing anyway, inventing the concept of 'fringe' theatre. Now the annual celebration known collectively as the Edinburgh Festival is the largest arts festival in the world, incorporating events dedicated to theatre, film, art, literature, comedy, dance, jazz and even military pageantry. It has launched careers – from Peter Cook and Dudley Moore in Beyond the Fringe to Phoebe Waller-Bridge with Fleabag – mirrored the political and social mood of its times, shaped the city of Edinburgh around it and welcomed a huge all-star cast, including Orson Welles, Grace Kelly, Yehudi Menuhin and Mark E Smith's The Fall and many many more. This is its story.
