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This anthology explores artistic practices and works from a diverse and vibrant region. Scholars, critics, and curators offer their perspectives on Southeast Asian art and artists, aiming not to define the field but to Illuminate its changing nature and Its Interactions with creative endeavors and histories originating elsewhere. These essays examine a range of new and modern work, from sculptures that Invoke post-conflict trauma In Cambodia to Thai art Installations that Invite audience participation and thereby challenge traditional definitions of the "art obJect." In this way, the authors not only provide a lively stUdy of regional art, but challenge and expand broad debates about international and transnational art.
A new edition of this classic study of mandala Southeast Asia. The revised book includes a substantial, retrospective postscript examining contemporary scholarship that has contributed to the understanding of Southeast Asian history since 1982.
Introduction : Religion, the nation, and the predicaments of public life in Southeast Asia / Kenneth M. George and Andrew C. Willford -- The priestess and the politician : enunciating Filipino cultural nationalism through Mt. Banahaw / Smita Lahiri -- The modernist vision from below : Malaysian Hinduism and the "way of prayers" / Andrew C. Willford -- Fraudulent and dangerous popular religiosity in the public sphere : moral campaigns to prohibit, reform, and demystify Thai spirit mediums / Erick White -- Islam and gender politics in late New Order Indonesia / Suzanne Brenner -- A sixth religion? : Confucianism and the negotiation of Indonesian-Chinese identity under the Pancasila state / Andrew J. Abalahin -- Relocating reciprocity : politics and the transformation of Thai funerals / Thamora Fishel -- Immaterial culture : "idolatry" in the lowland Philippines / Fenella Cannell -- Picturing Aceh : violence, religion, and a painter's tale / Kenneth M. George.
Although numerous accounts have been published of the genesis and character of the attempted October 1965 coup in Indonesia, many important aspects of that affair still remain very unclear. The fact that in most accounts so much of the picture has been painted in black and white, and in language of categorical certainty, has served only to paper over the enormous gaps in established knowledge of the event. In his present introduction to the paper here published, Professor Anderson describes the circumstances surrounding its preparation and the reasons why it was not previously published. Indeed, because of the avowedly tentative and provisional character of this early effort, there would nor...
This collection of essays explores the origins and roles of Southeast Asian business groups, especially as they developed during the 1970s and 1980s. An important contribution to studies of ethnic Chinese entrepreneurship in Southeast Asia. Includes a comprehensive introduction by the editor.
Since the late 1990s, a vivid new sphere of cinematic practice in Southeast Asia has emerged and been identified as independent. What exactly does this term mean in relation to the way films and videos are made, and the way they look? How do issues of festival circulation, piracy, technology, state and institutional power, and spectatorship apply to practices of independent cinema throughout the diverse region? The authors who speak in this volume--contemporary filmmakers, critics, curators, festival organizers--answer these questions. They describe and analyze the emerging field of Southeast Asian cinema, which they know firsthand and have helped create and foster. Glimpses of Freedom is th...