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Telepathologies
Poetry. African American Studies. Winner of the 2016 Saturnalia Books Poetry Prize, selected by D.A. Powell. Cortney Lamar Charleston's debut collection looks unflinchingly at the state of race in 21st Century America. Today, as much as ever before, the black body is the battleground on which war is being waged in our inner cities, and Charleston bares witness with fear, anger, and glimpses of hope. He watches the injustice on TV, experiences it firsthand at simple traffic stops, and even gives voice to those like Eric Garner and Sandra Bland who no longer can. TELEPATHOLOGIES is a shout in the darkness, a plea for sanity in an age of insantiy, and an urgent call to action. "Cortney Lamar Ch...
The BreakBeat Poets
Hip-Hop is the largest youth culture in the history of the planet rock. This is the first poetry anthology by and for the Hip-Hop generation. It has produced generations of artists who have revolutionized their genre(s) by applying the aesthetic innovations of the culture. The BreakBeat Poets features 78 poets, born somewhere between 1961-1999, All-City and Coast-to-Coast, who are creating the next and now movement(s) in American letters. The BreakBeat Poets is for people who love Hip-Hop, for fans of the culture, for people who've never read a poem, for people who thought poems were only something done by dead white dudes who got lost in a forest, and for poetry heads. This anthology is meant to expand the idea of who a poet is and what a poem is for. The BreakBeat Poets are the scribes recording and remixing a fuller spectrum of experience of what it means to be alive in this moment. The BreakBeat Poets are a break with the past and an honoring of the tradition(s), an undeniable body expanding the canon for the fresher.
Mama Phife Represents
Mama Phife Represents is an arresting document of the body’s lowest depth of hurt, from a poet and mother who suddenly loses her son to Type 1 diabetes at the height of his musical career. It is a love letter from a grieving mother to her child.
Granta 145
This issue of Granta is about time and about ghosts - the ghosts of our past selves, the shadows of past injuries, the ghosts of history, the ghosts in the machine. André Aciman remembers Rome Ahmet Altan on his life sentence Bernard Cooper on Ambien and sleep-eating Maggie O'Farrell on damaging her 'sacred' joint Vasily Grossman's Stalingrad, a companion to his epic Life and Fate Amos Oz in conversation with Shira Hadad Inigo Thomas on the fall of Singapore PLUS NEW FICTION from Anne Carson, Steven Dunn, Sheila Heti, Eugene Lim, Sandra Newman, Maria Reva and Jess Row POETRY from Cortney Lamar Charleston and Jana Prikryl PHOTOGRAPHY from Monika Bulaj, with an introduction by Janine di Giovanni
How to Not Be Afraid of Everything
"Explores the vulnerable ways we articulate and reckon with fear: fear of intergenerational trauma and the silent, hidden histories of families. What does it mean to grow up in a take-out restaurant, surrounded by food, just a generation after the Great Leap Forward famine in 1958-62. Full of elegy and resilient joy, these poems speak across generations of survival. How much of the world do we fear? How can we find comfort and ancestral power in this fear?"--
I Remember Death By Its Proximity to What I Love
The long form poem is a practice of poetics in joy, gratitude, sadness, resilience and pain. This literary work serves as a practice of self-reflection and accountability in the wake of the prison system. This poem is dirge work acknowledging unjust atrocities, but reveling in our human resilience.
Black Queer Hoe
From an award-winning and “stunningly talented” writer, reflections on the line between sexual freedom and sexual exploitation (Samantha Irby, New York Times–bestselling author of We Are Never Meeting in Real Life). Women’s sexuality is often used as a weapon against them. In this refreshing, unapologetic debut, award-winning performance poet and playwright Britteney Black Rose Kapri lends her unmistakable voice to fraught questions of identity, sexuality, reclamation, and power in a world that refuses black queer women permission to define their own lives and boundaries. Black Queer Hoe is a powerful intervention into important and ongoing conversations. “In a debut crackling with energy, honesty, and wit, Kapri moves to reclaim elements of language surrounding women’s sexuality, especially that of black women . . . Kapri assails the ways social norms are routinely used to blame girls and women for the moral failures of boys and men. Embracing the intimacy of a confessional and the sting of a viral tweet, Kapri unabashedly celebrates the various facets of her self and refuses to serve as anyone’s martyr.” —Publishers Weekly
Disappearing, Inc.
"My hour with the therapist / is not practice for a stand-up career, I am told," asserts this book in its opening pages. But humor is never far away in Brandon Amico's Disappearing, Inc. If Karl Marx had worked the Catskills, he might have sounded like this. The voice is ringing, relentless, droll and canny, and the poems crackle with energy as they joke and juke their way to exploring what it means to live a fully human life in the media-technogasm of 21st century capitalism. How might we live differently? these poems wonder, with ache and tender imagining, offering us the reminder that punchlines punch, and we are left breathless. --Michael Bazzett Brandon Amico's use of language is ecstat...
The Naomi Letters
Epistolary love poems that chronicle a woman discovering bisexual desire, negotiating mental illness, and cultivating intimacy.
Sugar Factory
These poems make me so glad. I don't think I've ever seen such a charming use of the exclamation point. And there is such a vastness to these little poems - the way Joanne Kyger or Larry Eigner were able to write like brushstrokes. Matthew Rohrer
