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Mayhem
A Sunday Times Book of the Year 'Riveting, clear-sighted and exceptionally articulate... Her literary and psychoanalytic fluency gives the book an impact that feels arrestingly honest... Heartbreaking' Daily Telegraph 'This is a fierce, lyrical, and lucid memoir that asks agonizing questions about guilt, innocence, and judgment and reminds us how difficult it can be to untangle one from the other' Siri Hustvedt 'Powerful, spare [and] striking' Observer 'Unique and haunting' Sunday Times 'What gives this book its astonishing power is not the guilt, but the intelligence and literary skill. Beautifully structured... Rausing sets the scene with painterly delicacy and then steps back to analyse t...
Everything Is Wonderful
“Pages of dreamlike prose explore Estonia’s terrible Nazi-Soviet past, the trauma of dictatorship, and how memory processes that trauma.” —The Financial Times A Times Literary Supplement Best Book of the Year Just like it was taken for granted that houses could be abandoned and slowly decay, so it was taken for granted that people died in prisons, and that it was possible that no-one would really ever know the cause of death. This is the nature of totalitarianism . . . In the early 1990s, after the collapse of the USSR, Sigrid Rausing completed her anthropological fieldwork on the peninsula of Noarootsi, a former Soviet border protection zone in Estonia. Abandoned watch towers dotted...
History, Memory, and Identity in Post-Soviet Estonia
Sigrid Rausing describes the changing world of the Estonian Swedes, and the way in which this minority identity was constructed in the various ideologies that have dominated the region since the early twentieth century. In particular she is concerned with the latest of these changes: thepost-Soviet attempt to 'restore' Swedish cultural identity. Rausing touches on a wide range of issues, debates, and insights: the relationship between ideology and form, nationalist and Soviet notions of ethnicity and traditional culture and historically-framed notions of an imagined normality.The ethnographic location for these discussions is a particular former collective farm, now subject to economic decline, the Estonian nation-building ideological project, and new relationships of dependency with Sweden. One of the author's central arguments is that these changes reflect a consciousattempt to 'reform habitus' so as to match that of the local image of the West, but that the location of ethnic culture and many of the operative concepts still reflect the tropes of the Soviet era.
Granta 156: Interiors
Granta 156: Interiors includes poetry by Kaveh Akbar, Sasha Debevec-McKenney and Gboyega Odubanjo, as well as memoir by Chris Dennis, Debra Gwartney, Ruchir Joshi and Sandra Newman. This summer issue features fiction by Jesse Ball, Claire-Louise Bennett, Eva Freeman, Sara Freeman, Tao Lin, Okwiri Oduor, Adam O'Fallon Price, Vanessa Onwuemezi, Kathryn Scanlan and Diane Williams. With photography by Robbie Lawrence introduced by Colin Herd, and Kaitlin Maxwell introduced by Lynne Tillman.
Granta 158: In the Family
Granta 158: In the Family features Fatima Bhutto on grief and loss; Chris Dennis on his teenage relationship with an older man; Charif Majdalani (trans. Ruth Diver) on the fragmenting situation in Beirut and Will Rees on a journey through the NHS in search of a diagnosis. This winter issue includes fiction by Nathan Harris, Julie Hecht, Sheila Heti, Moses McKenzie, Debbie Urbanski and Kate Zambreno, as well as poetry by Akwaeke Emezi, Claire Schwartz and Dawn Watson. A poem by Rachel Long introduces a photoessay by Lewis Khan, and Damian Le Bas introduces a photoessay made by the Herak family.
Granta 143
Jason Cowley: it wasn't a 'Brexit' murder David Flusfeder: the last shopkeepers of London Charles Glass: in Palmyra Stephen Sharp: Mother's death Sana Valiulina: remembers her father, a Gulag prisoner Anthony Doerr: on Edward Burtynsky New fiction from: Brian Allen Carr, Joshua Cohen, Ho Sok Fong, A.M. Homes and Susan Straight Photography by: Edward Burtynsky, Don McCullin and Gus Palmer Poetry: Will Harris, Nathaniel Mackey and Chelsea Minnis
Granta 138
What are the ethics of writing about a place you visit as an outsider? With Granta's long tradition of travel writing in mind, we ask some of the foremost writers of the genre: is travel writing dead? Tara Bergin, Rana Dasgupta, Geoff Dyer, Eliza Griswold, Mohsin Hamid, Lindsey Hilsum, Colin Thubron, Pico Iyer, Ian Jack, Robert Macfarlane, Wendell Steavenson, Samanth Subramanian and Alexis Wright Plus: William Atkins investigates murder on the US-Mexico border Xan Rice goes back to school in South Africa David Flusfeder's road trip to Detroit and California in search of his father's past Xiaolu Guo leaves China's 'semi-tropical south' for the 'solemn and tough north' Janine di Giovanni's homesickness Amit Chaudhuri returns to the city of his birth New fiction from Edna O'Brien; poetry by Emily Berry and Zeyar Lynn; photography by Justin Jin, Carl De Keyzer and Andrew McConnell introduced by A Yi and Adam Marek
Granta 139
The third volume of Granta's renowned, and prescient, Best of Young American Novelists. Every ten years, Granta devotes an issue to new American fiction by writers under the age of forty, showcasing the young novelists deemed to be the best of their generation - writers of remarkable achievement and promise. In 1997 and 2007 we picked out such luminaries as Edwidge Danticat, Jeffrey Eugenides, Jonathan Safran Foer, Jonathan Franzen, Nicole Krauss, Lorrie Moore, Yiyun Li, Karen Russell and Gary Shteyngart. In this special issue, we bring you Granta's Best of Young American Novelists of 2017: twenty-one outstanding writers, each able to capture the preoccupations of modern America. Jesse Ball, Halle Butler, Emma Cline, Joshua Cohen, Mark Doten, Jen George, Rachel B. Glaser, Lauren Groff, Yaa Gyasi, Garth Risk Hallberg, Greg Jackson, Sana Krasikov, Catherine Lacey, Ben Lerner, Karan Mahajan, Anthony Marra, Dinaw Mengestu, Ottessa Moshfegh, Chinelo Okparanta, Esm Weijun Wang, Claire Vaye Watkins These are the novelists you will soon be reading, chosen by panel of judges who are themselves acclaimed writers: Patrick deWitt, A.M. Homes, Kelly Link, Ben Marcus and Sigrid Rausing.
Granta 145
This issue of Granta is about time and about ghosts - the ghosts of our past selves, the shadows of past injuries, the ghosts of history, the ghosts in the machine. André Aciman remembers Rome Ahmet Altan on his life sentence Bernard Cooper on Ambien and sleep-eating Maggie O'Farrell on damaging her 'sacred' joint Vasily Grossman's Stalingrad, a companion to his epic Life and Fate Amos Oz in conversation with Shira Hadad Inigo Thomas on the fall of Singapore PLUS NEW FICTION from Anne Carson, Steven Dunn, Sheila Heti, Eugene Lim, Sandra Newman, Maria Reva and Jess Row POETRY from Cortney Lamar Charleston and Jana Prikryl PHOTOGRAPHY from Monika Bulaj, with an introduction by Janine di Giovanni
Fishing In Utopia
From the 1960s to the 1980s, Sweden was an affluent, egalitarian country envied around the world. Refugees were welcomed, even misfit young Englishmen could find a place there. Andrew Brown spent part of his childhood in Sweden during the 1960s. In the 1970s he married a Swedish woman and worked in a timber mill while helping to raise their small son. Fishing became his passion and his escape. In the mid-1980s his marriage and the country fell apart. The Prime Minister was assassinated. The welfare system crumbled along with the industries that had supported it. Twenty years later, Andrew Brown travelled the length of Sweden in search of the country he had loved, and then hated, and now found he loved again.
