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Art Sex Music
A SUNDAY TIMES, TELEGRAPH, ROUGH TRADE, PITCHFORK AND UNCUT MUSIC BOOK OF THE YEARSHORTLISTED FOR THE PENDERYN MUSIC BOOK PRIZEArt Sex Music is the autobiography of a musician who, as a founding member of the avant-garde group Throbbing Gristle and electronic pioneers Chris & Cosey, has consistently challenged the boundaries of music over the past four decades.It is the account of an artist who, as part of COUM Transmissions, represented Britain at the IXth Biennale de Paris, whose Prostitution show at the ICA in 1976 caused the Conservative MP Nicholas Fairbairn to declare her, COUM and Throbbing Gristle 'Wreckers of Civilisation' . . . shortly before he was arrested for indecent exposure, and whose work continues to be held at the vanguard of contemporary art.And it is the story of her work as a pornographic model and striptease artiste which challenged assumptions about morality, erotica and art.Art Sex Music is the wise, shocking and elegant autobiography of Cosey Fanni Tutti.
Re-Sisters
From the acclaimed author of Art Sex Music comes a vital meditation on womanhood, creativity and self-expression, and a revelatory exploration into the lives of three visionary artists. 'A fascinating tale of the interlinking lives of three legendary trailblazers.' SALENA GODDEN ' Re-sisters emanates an enthralling power.' JUDE ROGERS, MOJO 'Cosey Fanni Tutti has lived the life and has the stories to tell: not just hers, but those of two other still unheralded female pioneers.' JON SAVAGE Myself , Delia and Margery - a trinity of the sacred and profane , sinners and saints of a kind. Three defiant women with our individual, unconventional attitude to life. Untameable spirits, progressive thi...
Cosey Complex
'Cosey Complex' discusses seminal artist and musician Cosey Fanni Tutti. The book includes new commissions from a diverse range of international artists, writers and theorists, each contributor was invited to consider the shifting 'Cosey' from noun to verb, and to produce work enacting this transition.
Wreckers of Civilisation
Wreckers of Civilisation tells the story of two interconnected groups: the performance art group COUM Transmissions and the music group Throbbing Gristle, focusing on their key protagonists – Genesis P-Orridge, Cosey Fani Tutti, Peter Christopherson and Chris Carter.
Pop Life
"This book examines the legacy of Pop art and its most celebrated exponent in the lives and work of succeeding generations of artists." --Book Jacket.
Fast Facts: Type 2 Diabetes
Fast Facts: Type 2 Diabetes provides a practical overview of this increasingly common health condition. Written by and for health professionals working in primary care, this colourful and accessible handbook highlights important practice points that cover: • identifying and managing those at risk of developing type 2 diabetes • multifactorial interventions to prevent and treat complications • monitoring recommendations An indispensable read for anyone wanting to get up to speed with best practice in primary care. Table of Contents: • Epidemiology • Prevention strategies • Diagnosis • Self-management • Lowering blood glucose • Hypertension and dyslipidemia • Monitoring and microvascular complications • Macrovascular complications • Special populations
The Happy Hypocrite
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This Is Memorial Device
SHORTLISTED FOR THE GORDON BURN PRIZE 2017ROUGH TRADE BOOK OF THE MONTHLRB BOOK OF THE WEEKCAUGHT BY THE RIVER BOOK OF THE MONTHSHORTLISTED FOR THE COLLYER BRISTOW PRIZE This Is Memorial Device, the debut novel by David Keenan, is a love letter to the small towns of Lanarkshire in the west of Scotland in the late 1970s and early 80s as they were temporarily transformed by the endless possibilities that came out of the freefall from punk rock. It follows a cast of misfits, drop-outs, small town visionaries and would-be artists and musicians through a period of time where anything seemed possible, a moment where art and the demands it made were as serious as your life. At its core is the story...
Live Art in the UK
Since entering the performance lexicon in the 1970s, the term Live Art has been used to describe a diverse but interrelated array of performance practices and approaches. This volume offers a contextual and critical introduction to the scene of contemporary Live Art in Britain. Focusing on key artists whose prolific body of work has been vital to the development of contemporary practice, this collection studies the landscape of Live Art in the UK today and illuminates its origins, as well as particular concerns and aesthetics. The introduction to the volume situates Live Art in relation to other areas of artistic practice and explores the form as a British phenomenon. It considers questions of cultural specificity, financial and institutional support, and social engagement, by tracing the work and impact of key organizations on the UK scene: the Live Art Development Agency, SPILL Festival of Performance and Compass Live Art. Across three sections, leading scholars offer case studies exploring the practice of key artists Tim Etchells, Marisa Carnesky, Marcia Farquhar, Franko B, Martin O'Brien, Oreet Ashery, David Hoyle, Jordan McKenzie, and Cosey Fanni Tutti.
