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Conceptualism and Materiality
Conceptualism and Materiality. Matters of Art and Politics underscores the significance of materials and materiality within Conceptual art and conceptualism more broadly. It challenges the notion of conceptualism as an idea-centered, anti-materialist enterprise, and highlights the political implications thereof. The essays focus on the importance of material considerations for artists working during the 1960s and 1970s in different parts of the world. In reconsidering conceptualism’s neglected material aspects, the authors reveal the rich range of artistic inquiries into theoretical and political notions of matter and material. Their studies revise and diversify the account of this important chapter in the history of twentieth-century art - a reassessment that carries wider implications for the study of art and materiality in general .
Emergency Noises
Art history traditionally concentrates on the visual, often at the expense of sound art. This book is about recent attempts by artists trained in (West) Germany to provoke listening experiences to awaken the ear. Their work is revolutionary in artistic terms and in what it reveals about human relations, especially concerning issues of gender.
Conservation of Easel Paintings
Conservation of Easel Paintings, Second Edition provides a much-anticipated update to the previous edition, which has come to be known internationally as an invaluable and comprehensive text on the history, philosophy and methods of the treatment of easel paintings. Including 49 chapters written by more than 90 respected authors from around the world, this volume offers the necessary background knowledge in technical art history, artists’ materials and scientific methods of examination and documentation. Later sections of the book provide information about the varying approaches and methods for treatment and issues of preventive conservation, as well as valuable reflections on storage, shi...
Ad vivum?
The term ad vivum and its cognates al vivo, au vif, nach dem Leben and naer het leven have been applied since the thirteenth century to depictions designated as from, to or after (the) life. This book explores the issues raised by this vocabulary and related terminology with reference to visual materials produced and used in Europe before 1800, including portraiture, botanical, zoological, medical and topographical images, images of novel and newly discovered phenomena, and likenesses created through direct contact with the object being depicted. The designation ad vivum was not restricted to depictions made directly after the living model, and was often used to advertise the claim of an ima...
Artists at Work
Catalogue accompanies exhibition held 3 May - 15 July 2018, Gilbert and Ildiko Butler Drawings Gallery, The Courtauld Gallery, London.
The Courtauld Cézannes
The Courtauld Gallery holds the most important group of works by Paul Cézanne (1839-1906) in Britain. This book presents the entire collection for the first time, with major paintings such as the iconic Montagne Sainte-Victoire (1887) and Card Players (1892-95) shown alongside rarely seen drawings and watercolors.
The Courtauld Gallery at Somerset House
The renowned art collection originally built up by the industrial magnate Samuel Courtauld in the 1920s, and since greatly expanded thanks to generous gifts and bequests, is now permanently housed in the splendid architectural surroundings of London's Somerset House. The nineteenth-century core of the collection reflects Samuel Courtauld's policy of buying paintings by the leading Impressionist and Post-Impressionist artists. As a result of subsequent expansion, the collection bearing Courtlauld's name now also embraces important paintings ranging in period from the fourteenth century to the twentieth, including works by Bruegel, Rubens, Gainsborough, Goya, and Modigliani.
Renoir at the Theatre
"Pierre-Auguste Renoir's La Loge (The Theatre Box) is one of the iconic paintings of Impressionism. This book presents an array of new material and interpretation to explore the history and meanings of this celebrated work."--BOOK JACKET.
Art on the Line
On 1 May 1780, England's Royal Academy of Arts opened its twelfth annual exhibition, the first to be held in the magnificent rooms of William Chambers's newly built Somerset House. For the next fifty-seven years, the Great Room of Somerset House effectively defined the centre of the London art world - the place where viewers had to see and be seen, and where artists fiercely vied for the attention of potential buyers. Such great exhibition performers as Joshua Reynolds, Thomas Lawrence, John Constable, J. M. W. Turner and David Wilkie sharpened their skills during these stimulating decades. In this extensively illustrated book, seventeen renowned experts revisit and assess the Somerset House...
Art, Politics and Civic Religion in Central Italy, 1261-1352
This was first publised in 2000: This volume of essays explores some of the ways in which art was used to express, to celebrate, and to promote the political and religious aims and aspirations of those in power in the city states of central Italy in the 13th and 14th centuries. The contributions focus on four centres: Siena, Arezzo, Pisa and Orvieto, and range over a number of media: fresco, panel painting, sculpture, metalwork, and translucent enamel. This is the first volume in the series Courtauld Institute Research Papers. The series makes available original recently researched material on western art history from classical antiquity to the present day.
