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The Year of No Mistakes
In The Year of No Mistakes, Aptowicz goes cross country and tackles themes like love, lust, heartache and ambition in poems set in cities across the United States. While the backbone of the book is the slow break-up of her decade-long relationship, the heart remains Aptowicz falling in love with Americana. Sharply observant and unflinchingly truthful, her poems may be funny or heartbreaking, spare or lush, bright or dark, but they are always honest and engaging working class poems. Written during the fellowship year of her National Endowment for the Arts grant, poems from this collection have already been published in over four dozen literary journals and have been performed in venues across the country.
Everything is Everything
In her fifth collection of poetry, Cristin O'Keefe Aptowicz polishes her obsessions until they gleam. Whether she is exhuming the bizarre ("Cryptozoology" and "A Short History of Unusual Fish"), exorcising her demons, ("Hog Butcher of Workshop Table" and "On Why I Shouldn't Read Books") or celebrating the uncelebrated oddballs of the world ("Little Heard True Stories of Benjamin Franklin" and "Crack Squirrels"), Aptowicz's poetry sings and singes. Everything is Everything illuminates the dark corners of the curiosity cabinet, shining the light on everything that is utterly strange, wonderfully absurd and 100% true.
Working Class Represent
In her third collection of poetry, Cristin O'Keefe Aptowicz celebrates the ups and downs of being a poet with a day job. Whether exulting the mundaneness of office life ("Rules of Slack"), musing about hidden perks of college poetry gigs ("Ode to College Cafeterias") or hilariously defending the use of humor in poetry ("To the Guy Who Said that Funny Poetry Ain't Poetry"), this book continues Aptowicz's tradition of witty, honest and idiosyncratic work. Cristin O’Keefe Aptowicz's poems about her working class roots are so entertaining, so poignant, so perfectly incisive, that I almost wish I didn't have a trust fund! - Taylor Mali, The Last Time As We Are ...Cristin's voice is authentically hers. Cristin is better than any robot that vacuums your floor, better than any natural or artificial sweetener. She is better than most tables, which tend to wobble after a while. -John S. Hall, author/musician King Missile
Dear Future Boyfriend
In her celebrated debut volume, Cristin O'Keefe Aptowicz tackles, among other idiosyncratic topics, love ("Science"), heartbreak ("Lit"), and thieving suburban punks ("Ode to the Person Who Stole My Family's Lawn Gnome"). Quirky and funny with a subtext of social commentary, Aptowicz's writing lets the reader ride shotgun in a hilarious sprawling road trip through America’s youth culture. Cristin O'Keefe Aptowicz is a dizzying dervish of a poet, an astounding talent, a deft lyricist whose patented take on this dopey world is dazzling in its originality. Everything she encounters is fair game, and she jolts us into unexpected, delightful recognition. -Patricia Smith, "Blood Dazzler" Cristin O'Keefe Aptowicz is a flash flood of uppercut quotes. Reading her work tempts me to lean over to the people next to me, and say, “Hey, you gotta see this.” Do not miss the opportunity to absorb this woman's work, page or stage." - Buddy Wakefield, "Live for a Living"
Dr. Mutter's Marvels
A mesmerizing biography of the brilliant and eccentric medical innovator who revolutionized American surgery and founded the country’s most famous museum of medical oddities Imagine undergoing an operation without anesthesia performed by a surgeon who refuses to sterilize his tools—or even wash his hands. This was the world of medicine when Thomas Dent Mütter began his trailblazing career as a plastic surgeon in Philadelphia during the middle of the nineteenth century. Although he died at just forty-eight, Mütter was an audacious medical innovator who pioneered the use of ether as anesthesia, the sterilization of surgical tools, and a compassion-based vision for helping the severely de...
How to Love the Empty Air
New York Times bestselling nonfiction writer and poet Cristin O’Keefe Aptowicz’s How to Love the Empty Air reaches new heights in her revelatory seventh collection of poetry. Continuing in her tradition of engaging autobiographical work, How to Love the Empty Air explores what happens when the impossible becomes real?for better and for worse. Aptowicz’s journey to find happiness and home in her ever-shifting world sees her struggling in cities throughout America. When her luck changes?in love and in life?she can’t help but “tell the sun / tell the fields / tell the huge Texas sky.... / tell myself again and again until I believe it.” However, the upward trajectory of this new lif...
Oh, Terrible Youth
In her fourth collection of poetry, Cristin O'Keefe Aptowicz uses her youth as muse. Whether ruminating on the trials and tribulations of life in the single digits ("My Elementary School Confessions"), exposing her unapologetic high school geekiness ("The Secret Language of Nerds") and exalting all the melodramatic yet sincere love verses she ultimately penned in vain ("On Reading Old Unrequited Love Poems"), this plump collection commiserates and celebrates all the wonder, terror, banality and comedy that is the long journey to adulthood.
Hot Teen Slut
In her second collection of poetry, Cristin O'Keefe Aptowicz serves up a hilarious and uncompromising autobiographical bender about her first job out of college: writing and editing for porn. Whether denouncing the corporate world ("To Whom It May Concern") before lustily joining it ("New Millennial Bad Ass"), or sweetly celebrating love in the face of smut ("Let's Make Out!"), Aptowicz dramatizes the hopes, humor and ambitions of a young poet's first steps into a very surreal "real world."
In the Pockets of Small Gods
A beautiful exploration of grief by one of the top selling poets in America. Anis Mojgani's In the Pockets of Small Gods explores what we do with grief, long after the initial sadness has faded from our daily lives: how we learn to carry it without holding it, how our joy and our pain touch, and at times need one another. His latest collection of poetry touches on many kinds of sorrow, from the suicide of a best friend to a broken marriage to the current political climate. Mojgani swings between the surreal imagery and direct vulnerability he is known for, all while giving the poems a direct frankness, softening whatever the weight may be. A book of leaves and petals as opposed to a book of stones, In the Pockets of Small Gods encapsulates the human experience in a way that is both deeply personal and astoundingly universal.
Hot Teen Slut
In her second collection of poetry, Cristin O'Keefe Aptowicz serves up a hilarious and uncompromising autobiographical bender about her first job out of college: writing and editing for porn. Whether denouncing the corporate world ("To Whom It May Concern") before lustily joining it ("New Millennial Bad Ass"), or sweetly celebrating love in the face of smut ("Let's Make Out!"), Aptowicz dramatizes the hopes, humor and ambitions of a young poet’s first steps into a very surreal “real world.”
