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Tonal Structures in Early Music
Discussion of tonal structure has been one of the most problematic and controversial aspects of modern study of Medieval and Renaissance polyphony. These new essays written specifically for this volume consider the issue from historical, analytical, theoretical, perceptual and cultural perspectives.
Reading Renaissance Music Theory
Enth. u.a. "The polyphony of Heinrich Glarean's 'Dodecachordon'" (S. 115-176).
Musical Theory in the Renaissance
This volume of essays draws together recent work on historical music theory of the Renaissance. The collection spans the major themes addressed by Renaissance writers on music and highlights the differing approaches to this body of work by modern scholars, including: historical and theoretical perspectives; consideration of the broader cultural context for writing about music in the Renaissance; and the dissemination of such work. Selected from a variety of sources ranging from journals, monographs and specialist edited volumes, to critical editions, translations and facsimiles, these previously published articles reflect a broad chronological and geographical span, and consider Renaissance sources that range from the overtly pedagogical to the highly speculative. Taken together, this collection enables consideration of key essays side by side aided by the editor‘s introductory essay which highlights ongoing debates and offers a general framework for interpreting past and future directions in the study of historical music theory from the Renaissance.
Citation and Authority in Medieval and Renaissance Musical Culture
Essays - collected in honour of Margaret Bent - examining how medieval and Renaissance composers responded to the tradition in which they worked through a process of citation of and commentary on earlier authors.
The Language of the Modes
The Language of the Modes provides a study of modes in early music through eight essays, each dealing with a different aspects of modality. The volume codifies all known theoretical references to mode, all modally ordered musical sources, and all modally cyclic compositions. For many music students and listeners, the "language of the modes" is a deep mystery, accustomed as we are to centuries of modern harmony. Wiering demystifies the modal world, showing how composers and performers were able to use this structure to create compelling and beautiful works. This book will be an invaluable source to scholars of early music and music theory. in early music through eight essays, each dealing with a different aspects of modality. It codifies all known theoretical references to mode, all modally ordered musical sources, and all modally cyclic compositions. This book will be an invaluable source to scholars of early music.
Barren Island
How does one remember a world that literally no longer exists? How do the moral imperatives to do so correspond to the personal needs that make it possible? Told from the point-of-view of Marta Eisenstein Lane on the occasion of her 80th birthday, Barren Island is the story of a factory island in New York's Jamaica Bay, where the city's dead horses and other large animals were rendered into glue and fertilizer from the mid-19th century until the 1930's. The island itself is as central to the story as the members of the Jewish, Greek, Italian, Irish, and African-American factory families that inhabit it, including those who live their entire lives steeped in the smell of burning animal flesh....
Chaucer and the Ethics of Time
Geoffrey Chaucer wrote at a turning point in the history of timekeeping, but many of his poems demonstrate a greater interest in the moral dimension of time than in the mechanics of the medieval clock. Chaucer and the Ethics of Time examines Chaucer’s sensitivity to the insecurity of human experience amid the temporal circumstances of change and time-passage, as well as strategies for ethicising historical vision in several of his major works. While wasting time was sometimes viewed as a sin in the late Middle Ages, Chaucer resists conventional moral dichotomies and explores a complex and challenging relationship between the interior sense of time and the external pressures of linearism and cyclicality. Chaucer’s diverse philosophical ideas about time unfold through the reciprocity between form and discourse, thus encouraging a new look at not only the characters’ ruminations on time in the tradition of St Augustine and Boethius, but also manifold narrative sequences and structures, including anachronism.
The Rise of Victimhood Culture
The Rise of Victimhood Culture offers a framework for understanding recent moral conflicts at U.S. universities, which have bled into society at large. These are not the familiar clashes between liberals and conservatives or the religious and the secular: instead, they are clashes between a new moral culture—victimhood culture—and a more traditional culture of dignity. Even as students increasingly demand trigger warnings and “safe spaces,” many young people are quick to police the words and deeds of others, who in turn claim that political correctness has run amok. Interestingly, members of both camps often consider themselves victims of the other. In tracking the rise of victimhood culture, Bradley Campbell and Jason Manning help to decode an often dizzying cultural milieu, from campus riots over conservative speakers and debates around free speech to the election of Donald Trump.
Slonim Woods 9
An “extraordinary” (Nylon) firsthand account of the creation of a modern cult and the costs paid by its young victims: a group of college roommates “Intense . . . [a tale] of hard-won survival, and creating a life after the unimaginable.”—Salon In September 2010, at the beginning of the academic year at Sarah Lawrence College, a sophomore named Talia Ray asked her roommates if her father could stay with them for a while. No one objected. Her father, Larry Ray, was just released from prison, having spent three years behind bars after a conviction during a bitter custody dispute. Larry Ray arrived at the dorm, a communal house called Slonim Woods 9, and stayed for the whole year. Ove...
Devotion
In her midforties and settled into the responsibilities and routines of adulthood, Dani Shapiro found herself with more questions than answers. Was this all life was—a hodgepodge of errands, dinner dates, e-mails, meetings, to-do lists? What did it all mean? Having grown up in a deeply religious and traditional family, Shapiro had no personal sense of faith, despite repeated attempts to create a connection to something greater. Feeling as if she was plunging headlong into what Carl Jung termed "the afternoon of life," she wrestled with self-doubt and a searing disquietude that would awaken her in the middle of the night. Set adrift by loss—her father's early death; the life-threatening i...
