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The book analyzes the mathematical tablets from the private collection of Martin Schoyen. It includes analyses of tablets which have never been studied before. This provides new insight into Babylonian understanding of sophisticated mathematical objects. The book is carefully written and organized. The tablets are classified according to mathematical content and purpose, while drawings and pictures are provided for the most interesting tablets.
This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.
Few are aware that the actual identity of William Shakespeare, a pen name, represents our greatest cultural mystery. Even fewer realize that Will Shakspere of Stratford-on-Avon was an uneducated businessman who never owned a book, knew no foreign languages, never traveled and never wrote a word of poetry or prose. Shakspere was a front for a complete fraud perpetrated by England's leading politician, Robert Cecil, for reasons of power and greed. The astonishing strength of Conventional Wisdom has kept the ruse going for 400 years, perpetrated by professors of English who, blinded by traditional dogma, refuse to accept the remarkable and growing body of evidence in favor of Edward de Vere. Vo...
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The first in a series of volumes publishing the Sumerian literary texts in the Schøyen Collection, this book makes available, for the first time, editions of seventeen cuneiform tablets, dating to ca. 2000 BCE and containing works of Sumerian religious poetry. Edited, translated, and annotated by Christopher Metcalf, these poems shed light on the interaction between cult, scholarship, and scribal culture in Mesopotamia in the early second millennium BCE. The present volume contains fourteen songs composed in praise of the various gods of the Mesopotamian pantheon; it is believed that these songs were typically performed in temple cults. Among them are a song in praise of Sud, goddess of the...
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