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This collection of sixteen new essays, all commissioned from cultural and musical historians, was inspired by the themes and approaches of Professor Cyril Ehrlich's pathbreaking work on British social history in music. This volume discusses issues such as the music marketplace, piano culture, musicians' work patterns, music institutions, concert history, and national and urban identities - all with a clear focus on art music traditions. The cultural importance of serious music, from Belfast to Calcutta, has long been assumed for the period but rarely demonstrated. Here the issue is interwoven with the social and economic realities confronting music and musicians in Britain across the 19th century.
For more than a century the piano has occupied a dominant place in music and society. Here, Ehrlich traces the instrument's fascinating history from the fortepiano of Mozart's time, and the Victorian's ""household orchestra and god, "" to the most sophisticated modern products of the Japanesemanufacturers. Updated and revised by the author to include recent developments, this book will captivate musicians, historians, and all lovers of the piano.
A distinguished historian chronicles the rise of music and musicians in the West from lowly balladeers to masters employed by fickle patrons, to the great composers of genius, to today’s rock stars. How, he asks, did music progress from subordinate status to its present position of supremacy among the creative arts? Mozart was literally booted out of the service of the Archbishop of Salzburg “with a kick to my arse,” as he expressed it. Yet, less than a hundred years later, Europe’s most powerful ruler—Emperor William I of Germany—paid homage to Wagner by traveling to Bayreuth to attend the debut of The Ring. Today Bono, who was touted as the next president of the World Bank in 2...
This book explains the vigorous expansion of the music profession in the 19th and early 20th centuries, as the widespread demand for lessons and the revolution in commercialized entertainment created new employment opportunities, and follows the profession through to its subsequent decline as changing leisure patterns, "talkies", and relentless improvements in recording technologies displaced both teachers and performers.
A book celebrating the 75th anniversary of the Performing Rights Society which has represented writers and publishers of all kinds of music since 1914. As technology and social change transformed the use of music, the PRS has provided assistance to those in this field.
Celebrating a venerable institution, this history, based upon exhaustive research in the Society's archives, also addresses wider themes which continue to bear upon concert life: the evolution of repertoire and performance, audience, conductor; networks of recruitment; patronage and the marketplace; London orchestras; fees and rehearsals.
The first full length study of Sir George Thomas Smart (1776-1867), musical animateur and early champion of the music of Beethoven
In her study of music-making in the Edwardian novel, Cecilia Björkén-Nyberg argues that the invention and development of the player piano had a significant effect on the perception, performance and appreciation of music during the period. In contrast to existing devices for producing music mechanically such as the phonograph and gramophone, the player piano granted its operator freedom of individual expression by permitting the performer to modify the tempo. Because the traditional piano was the undisputed altar of domestic and highly gendered music-making, Björkén-Nyberg suggests, the potential for intervention by the mechanical piano's operator had a subversive effect on traditional no...
A rounded portrait of the Royal College of Music, investigating its educational and cultural impact on music and musical life.
For more than a century the piano has occupied a dominant place in music and society. Here, Ehrlich traces the instrument's fascinating history from the fortepiano of Mozart's time, and the Victorian's "household orchestra and god," to the most sophisticated modern products of the Japanesemanufacturers. Updated and revised by the author to include recent developments, this book will captivate musicians, historians, and all lovers of the piano.