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The Last Turtlemen of the Caribbean
Illuminating the entangled histories of the people and commodities that circulated across the Atlantic, Sharika D. Crawford assesses the Caribbean as a waterscape where imperial and national governments vied to control the profitability of the sea. Crawford places the green and hawksbill sea turtles and the Caymanian turtlemen who hunted them at the center of this waterscape. The story of the humble turtle and its hunter, she argues, came to play a significant role in shaping the maritime boundaries of the modern Caribbean. Crawford describes the colonial Caribbean as an Atlantic commons where all could compete to control the region’s diverse peoples, lands, and waters and exploit the regi...
A Thirst for Souls
A philosopher son comes to grips with his evangelist father's life and ministry, and his passion for winning lost souls. The author situates Percy Crawford within the fundamentalist movement he encountered in 1923, when he came to Los Angeles to get a college education, and instead got converted at Reuben Torrey's Church of the Open Door. The book identifies Crawford's main contributions to fundamentalism at a critical time in its history --the 1930s and '40s-- when it was languishing and marginalized in American life. Crawford was one of the "young men on fire" who effectively used the new medium of radio (and later television) as vehicles for spreading the gospel. His direct and hard-hitting preaching style, together with a high-quality musical program assembled by his wife and life-long partner in evangelism, Ruth, helped to remake the public image of fundamentalism and rekindle the spirit of revivalism.
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The Music of Ruth Crawford Seeger
This book is the first to study the music of Ruth Crawford Seeger, widely considered to be the most important American woman composer of this century. Indeed, it is the first full-length analytical study of the music of any woman composer. The book contains extensive technical descriptions of Ruth Crawford Seeger's music, and also considers her in relation to her contemporaries and to the history of women and music.
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