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Family history and genealogical information about the descendants of Alexander McColley and Polly Razey. Alexander was born 1 October 1805 in Vermont or New York, the son of James McColley and Charlotte Hancock. Polly was born 9 April 1805 in New York, the daughter of Silas Razey and Hannah Garnsey. Alexander McColley married Polly Razey 20 September 1827 in New York. They lived in Wisconsin and were the parents of seven sons and five daughters. Ancestors lived in New York, Massachusetts, Ohio and elsewhere. Descendants lived in Wisconsin, Minnesota, Kansas, Iowa, Washington, California and elsewhere.
Contains name, birth date and state, death date, source of information, marriage date, spouse and spouse's date of birth. Arranged alphabetically by generations.
This book analyses the debate over extraterrestrial life from Aristotle to Kant.
In this first extensive Jungian treatment of Milton's major poems, James P. Driscoll uses archetypal psychology to explore Milton's great themes of God, man, woman, and evil and offers readers deepened understanding of Jung's profound thoughts on Godhead. The Father, the Son, Satan, Messiah, Samson, Adam, and Eve gain new dimensions of meaning as their stories become epiphanies of the archetypes of Godhead. God and Satan of Paradise Lost are seen as the ego and the shadow of a single unfolding personality whose anima is the Holy Spirit and Milton's muse. Samson carries the Yahweh archetype examined by Jung in Answer to Job, and Messiah and Satan in Paradise Regained embody the hostile brothe...
Richard Baxter, one of the 17th century's most famous Puritans, is known as an author of devotional literature. But he was also skilled in medieval philosophy. In this work, David Sytsma draws on largely unexamined works to present a chronogolical and thematic account of Baxter's relation to the people and concepts involved in the rise of mechanical philosophy in late-17th-century England
Margaret Cavendish (1623-1673) ist vor allem bekannt als enfant terrible der Londoner Society, bizarr in Phantasie und Kostüm, penetrant in ihrem Anspruch auf Teilhabe am wissenschaftlichen Diskurs, skandalös in ihrem Streben nach Ruhm.
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