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Few filmmakers have made such a seismic impact on Hollywood during the past two decades as Christopher Nolan. Whether mind-twisting crime thrillers or vast sci-fi epics, his films are consistently huge crowd pleasers, despite his bold and complex visions never being compromised. Featuring fresh insights from a writer who has witnessed Nolan at work first-hand on several of his films, this is the definitive guide to the most significant British director since Hitchcock. From Memento to The Dark Knight Trilogy to Inception to Oppenheimer, it takes you on a cinematic odyssey that is truly like no other.
This volume offers film enthusiasts and teachers an investigation into what film critics do and examines what ideologies inform their evaluations. By employing recent television programs and films and comparing them to older ones, the study is able to trace changes in the methodologies of film and media critics. The work argues for the emergence of neofuturism as a chosen method of interpretation, contrasting with the dominance of postmodernism as the evaluative method through the early years of the new millennium. It also asks the questions who evaluates film and why? In doing so, the study questions the criteria for film evaluation, the validity of some reviews, and asks the question whether the evaluative system needs to change altogether.
A series of definitive guides to the most influential film directors of our time. Charting the rise of these iconic filmmakers from their early years, through their breakout films and their evolution into cinematic greats, these neatly packaged guides are a must-have for any movie fan. Each title contains perceptive and insightful text about the director's work, their inspirations, their unique filmmaking style and their favoured collaborations with actors, screenwriters and musicians. With discussion and in-depth analysis of each film in their canon, and packed with images from their films, as well as intriguing behind-the-scenes shots, these books provide an intimate celebration of each di...
From his first feature film, The Duellists, to his international successes Alien, Blade Runner, Thelma and Louise, Black Hawk Down, Gladiator, and American Gangster, Ridley Scott has directed some of the most compelling films of the last 30 years. Apart from his work as a film director, Scott has engaged in a vast range of activities, including that as a designer, producer, film mogul, and advertising executive. The Ridley Scott Encyclopedia is the first book that focuses on all aspects of his work in a wide-ranging career that spans nearly 50 years. The entries in this encyclopedia focus on all aspects of his work and are divided into four categories. The first focuses on Ridley Scott's wor...
Christopher Nolan is one of the defining directors of the 21st century. Few of his contemporaries can compete in terms of critical and commercial success, let alone cultural impact. His films have a rare ability to transcend audience expectations, appealing to both casual moviegoers and dyed-in-the-wool cineastes. Nolan's work ranges from gritty crime thrillers (Memento, Insomnia) to spectacular blockbusters (the Dark Knight trilogy, Inception). They have taken audiences from the depths of space (Interstellar) to the harsh realities of war (Dunkirk). And they have pushed the boundaries of the possible in modern movie making. This critical history covers his complete filmography, tracing his career from film student to indie darling to Oscar-nominated auteur.
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Hal Ashby (1929–1988) was always an outsider, and as a director he brought an outsider's perspective to Hollywood cinema. After moving to California from a Mormon household in Utah, he created eccentric films that reflected the uncertain social climate of the 1970s. Whether it is his enduring cult classic Harold and Maude (1971) or the iconic Being There (1979), Ashby's artistry is unmistakable. His skill for blending intense drama with off-kilter comedy attracted A-list actors and elicited powerful performances from Jack Nicholson in The Last Detail (1973), Warren Beatty and Julie Christie in Shampoo (1975), and Jon Voight and Jane Fonda in Coming Home (1979). Yet the man behind these fil...
Cinema is an affective medium. Films move us to feel wonder, joy, and love as well as fear, anger, and hatred. Today, we are living through a new age of sensibility when emotion is given priority over reason. Yet, there is a counter-cultural current in contemporary American cinema that offers a more nuanced treatment of emotion. Both aesthetically and eidetically, this new cinema of affect allows viewers to make up their own minds about what they feel and think. This book focuses on key films by important auteur-directors--David Fincher, Bryan Singer, Christopher Nolan, Kathryn Bigelow, Richard Linklater, Barry Jenkins, Greta Gerwig, and Pete Docter--who are to the forefront of this new cinema. It explores how they anatomize affect and how it functions in the creation or degradation of character and society.
Experience the magic again with this chronicle of the young wizard who took the world by storm! From the moment that J. K. Rowling conceived the idea of Harry Potter during a train ride, until the 1997 UK publication of Harry Potter and the Philosopher’s Stone, The Making of the Potterverse tells the history of one of today’s most beloved sagas—in print, on screen, and in real life as waves of Pottermania swept fans young and old. Covering the phenomenon through the theatrical release of Harry Potter and the Order of the Phoenix, this book covers all of the major and minor news events centering on the world of Harry Potter, interweaving quotes from the films’ cast and crew members—among them Daniel Radcliffe, Emma Watson, and Rupert Grint; directors Chris Columbus (The Sorcerer’s Stone, The Chamber of Secrets), Alfonso Cuarón (The Prisoner of Azkaban), and Mike Newell (The Goblet of Fire); producer David Heyman, and behind-the-scenes personnel who bring the magic to life.