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Learning to Draw / A History is an evolving and transformative narrative sketch, alternately prose and poetry, that serves to document a personal and yet collective history with a roving artist's eye. Previously serialised in a number of small journals and zines, the work has met with some acclaim and this is the first complete version in a new architectural alignment. Although from post-war Britain, Basil King's literary lineage harkens back to the projective verse style of Pound and Williams, sweetened through his working associations with the likes of Blackburn, Ginsberg and Baraka. The weaving of subjects in this work is not unlike the purposeful mixing of colours on an artist's palette.
The March/April 2019 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Karen Osborne, Tina Connolly, Bonnie Jo Stufflebeam, Marie Brennan, Silvia Moreno-Garcia, and A.T. Greenblatt. Reprinted fiction by Aliette de Bodard, essays by Tracy Townsend, Briana Lawrence, Marissa Lingen, and Suzanne Walker, poetry by Beth Cato, D.A. Xaolin Spires, Cassandra Khaw, Sandi Liebowitz, and Chloe N. Clark, interviews withBonnie Jo Stufflebeam and A.T. Greenblatt by Caroline M. Yoachim, a cover by Christopher Jones, and an editorial by Lynne M. Thomas and Michael Damian Thomas.
With a Foreword by actor, Simon Fisher-Becker, the dystopian SciFan anthology, The Forge: Fire and Ice, explores a multitude of themes in a set of fast-paced stories that pull you into different worlds from war to deep-space mining, from a portal within a yellow bus to a worm in a toffee apple, through fire and water, lore and legend.
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A celebration of some of the most positive developments in Canadian education regarding social justice, peace and environmental justice