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The Convert
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Eclipsed
“[Eclipsed is] a surprisingly vivacious portrait of helplessness, of the entirely human impulse to adapt, to get by even when there's little hope life will get better.”—Washington Post “Eclipsed depicts the harsh realities of women’s lives in a strife-torn African country with both a clear eye and a palpable empathy.”—New York Times Four women in Liberia struggle to survive conditions on a rebel army base. Held as the concubines of a warlord, each “wife” must find her own means of coping amidst a situation that appears hopeless. With frail, fractured identities born from an ongoing, senseless civil war, the women build their own contained world to guard against the chaos ou...
Familiar
A fierce new comedy from the critically acclaimed playwright of Broadway's Eclipsed.
Danai Gurira A Short Unauthorized Biography
Danai Gurira: A Short Unauthorized Biography is a short unauthorized biography produced from electronic resources researched that includes significant events and career milestones. Ideal for fans of Danai Gurira and general readers looking for a quick insight about one of today's most intriguing celebrities. This must-read short unauthorized biography chronicles: Who is Danai Gurira Things People Have Said about Danai GuriraDanai Gurira is BornGrowing Up with Danai GuriraDanai Gurira Personal RelationshipsThe Rise of Danai GuriraSignificant Career MilestonesDanai Gurira Friends and FoesFun Facts About Danai GuriraHow The World Sees Danai Gurira Danai Gurira A Short Unauthorized Biography is one of the latest short unauthorized biographies from Fame Life Bios. Check it out now!
In the Continuum
In the Continuum puts a human face on the devastating impact of AIDS in Africa and America through the lives of two unforgettably courageous women. Living worlds apart, one in South Central LA and the other in Zimbabwe, each experiences a kaleidoscopic weekend of life-changing revelations in this story of parallel denials and self-discoveries.
Art, Creativity, and Politics in Africa and the Diaspora
This book explores the politics of artistic creativity, examining how black artists in Africa and the diaspora create art as a procedure of self-making. Essays cross continents to uncover the efflorescence of black culture in national and global contexts and in literature, film, performance, music, and visual art. Contributors place the concerns of black artists and their works within national and transnational conversations on anti-black racism, xenophobia, ethnocentrism, migration, resettlement, resistance, and transnational feminisms. Does art by the subaltern fulfill the liberatory potential that critics have ascribed to it? What other possibilities does political art offer? Together, these essays sort through the aesthetics of daily life to build a thesis that reflects the desire of black artists and cultures to remake themselves and their world.
The Convert
A young Shona girl escapes an arranged marriage by converting to Christianity, becoming a servant and student to an African Evangelical. As anti-European sentiments spread throughout the native population, she is forced to choose between her family's traditions and her newfound faith.
Eclipsed
It's best to work with the system,and right now – the system is war. 2003, civil war is raging in Liberia. At a rebel army base four young women are doing their best to survive the conditions of the war. Yet sometimes, the greatest threat comes not from the enemy's guns, but from the brutality of those on your own side. With the arrival of a new girl, who can read, and an old one, who can kill, how might this transform the future of this hard-bitten sisterhood?
African Women Playwrights
For the first time, a distinctive collection of plays by African women published in English
Representing Africa in the Motherland and the Diaspora
This volume brings together fifteen scholars from Africa, Europe and the United States to explore how Africa is represented in and through the performing arts and cinema. Essays include discussions of Lorraine Hansberry’s A Raisin in the Sun, American influences on Nollywood, Nigerian video films, the representation of women in cinema, African dance in the diaspora, children’s music, and media portrayals of savagery from pop cinema through news reports of Ferguson, Missouri. Using a variety of methodologies and approaches, the contributors consider how African societies and cultures have been represented to themselves, to the continent at large, and in the diaspora. The volume represents an extended dialogue between African scholars and artists about the challenges of representing themselves and their respective societies within and without Africa. Many of the contributors are scholar-practitioners, offering practical guides on how to approach these performance and media forms as artists. As such, this book will serve as both model and building block for the next generation of representors, students, and audiences.
