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The America Ground
Morton Farrier, the esteemed English forensic genealogist, had cleared a space in his busy schedule to track down his own elusive father finally. But he is then presented with a case that challenges his research skills in his quest to find the killer of a woman murdered more than one hundred and eighty years ago. Thoughts of his own family history are quickly and violently pushed to one side as Morton rushes to complete his investigation before other sinister elements succeed in derailing the case.This is the fourth book in the Morton Farrier genealogical crime mystery series, although it can be enjoyed as a stand-alone story. More information, and a free prequel story for the series, is available from nathandylangoodwin.com
Music and the Making of Medieval Venice
Introducing a new geographical paradigm for the study of medieval music, this path-breaking book uncovers the role of music, liturgy, and ritual in building Venice's empire in the eastern Mediterranean, activating the city's material culture, and shaping its state-craft of the imagination.
Generative Programming and Component Engineering
This book constitutes the refereed proceedings of the Second International Conference on Generic Programming and Component Engineering, GPCE 2003, held in Erfurt, Germany in September 2003. The 21 revised full papers presented were carefully reviewed and selected from 62 submissions. The papers are organized in topical sections on domain-specific languages, staged programming, modeling to code, aspect-orientation, meta-programming and language extension, automating design-to-code transitions, principled domain-specific approaches, and generation and translation.
Schubert's String Quartets
Franz Schubert's music has long been celebrated for its lyrical melodies, 'heavenly length' and daring harmonic language. In this new study of Schubert's complete string quartets, Anne Hyland challenges the influential but under-explored claim that Schubert could not successfully incorporate the lyric style into his sonatas, and offers a novel perspective on lyric form that embraces historical musicology, philosophy and music theory and analysis. Her exploration of the quartets reveals Schubert's development of a lyrically conceived teleology, bringing musical form, expression and temporality together in the service of fresh intellectual engagement. Her formal analyses grant special focus to the quartets of 1810–16, isolating the questions they pose for existing music theory and employing these as a means of scrutinising the relationship between the concepts of lyricism, development, closure and teleology thereby opening up space for these works to challenge some of the discourses that have historically beset them.
Monteverdi and the Marvellous
Explores the path-breaking interaction between language and music in Monteverdi's madrigals through the provocative poetics of the marvellous.
Interwar Symphonies and the Imagination
The symphony has long been entangled with ideas of self and value. Though standard historical accounts suggest that composers' interest in the symphony was almost extinguished in the early 1930s, this book makes plain the genre's continued cultural dominance, and argues that the symphony can illuminate issues around space/geography, race, and postcolonialism in Germany, France, Mexico, and the United States. Focusing on a number of symphonies composed or premiered in 1933, this book recreates some of the cultural and political landscapes of an uncertain historical moment-a year when Hitler took power in Germany, and the Great Depression reached its peak in the United States. Interwar Symphonies and the Imagination asks what North American and European symphonies from the early 1930s can tell us about how people imagined selfhood during a period of international insecurity and political upheaval, of expansionist and colonial fantasies, scientised racism, and emergent fascism.
The Palgrave Handbook of Non-State Actors in East-West Relations
The Handbook introduces to readers (accessibly for specialist and non-specialist scholars, students and layman audiences) the diverse universe of non-state actors (NSAs) that have played or are currently playing a significant role in the context of East-West relations (from 1945 to the present). With a view to the oft-seen political debates about which non- state actors may be independent or controlled by particular states, and in what ways they may be useful or harmful to the interests of particular actors, this volume is interested in analysing and assessing the relationship of NSAs to key state actors in the context of the politics of East-West relations. Key state actors in this context ...
Musical Modernism in Global Perspective
In the first study of the global dimensions of musical modernism, Björn Heile proposes a novel theory according to which musical modernism is constituted by a global diasporic network of composers, musicians and institutions. In a series of historical and analytical case studies from different parts of the world, this book overcomes the respective limitations of both Eurocentric and postcolonial, revisionist accounts, focusing instead on the transnational entanglements between the West and other world regions. Key topics include migration, the transnational reception and transfer of musical works and ideas, institutions such as the International Society for Contemporary Music (ISCM) and composers who are rarely discussed in Western academia, such as the Nigerian-born Akin Euba and the Korean-German Younghi Pagh-Paan. Influenced by the interdisciplinary notion of 'entangled histories', Heile critiques established dichotomies, all the while highlighting the unequal power relations on which the existing global order is founded.
Grazyna Bacewicz, The 'First Lady of Polish Music'
This Element explores the life and work of Grażyna Bacewicz (1909-1969), as a composer, violinist, pianist and author. She lived a remarkable life in Poland, navigating the complex world of Polish communist society and Soviet dominance after the Second World War, and brought Polish music to wider European attention. The Element describes the historical context of her life, her major achievements, and the language and development of her compositions, which attracted notable interest in Polish musical life. She wrote a wide range of pieces, making a significant contribution to the string repertoire, with important String Quartets and violin works. In her sixty years she achieved impressive triumphs as a women composer, served the Polish Composers Union and often judged major international competitions.
Elisabeth Lutyens and Edward Clark
Combining analyses of modernist concert and stage music by Elisabeth Lutyens with those of her audio-visual scores, and contextualising Lutyens and Edward Clark's biographies within international developments in dodecaphonic music and music-making, this book will speak to a wide audience interested in British and European twentieth-century music.
