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Football and the Boundaries of History
The essays in this volume use football to create a dialogue between history and other disciplines, including art criticism, philosophy, and political science. The study of football provides fertile ground for interdisciplinary initiatives and this volume explores the disciplinary boundaries that are shifting “beneath our feet.” Traditional disciplines in the humanities and social sciences have come to embrace diverse research methodologies and the increased scholarly attention to football over the past decade reflects both the startling popularity of the sport and the trends in historical scholarship that have been termed the “cultural,” “interpretive,” or “linguistic” turns. This volume includes work on gender, sexuality, and ethnicity, which have challenged disciplinary fault-lines.
Shifting Borders
Shifting Borders brings together new research on visual culture by scholars located across North America. This compilation of essays explores the notion of borders in a range of domains including art history, architecture, art theory, video games, performance art, artistic creation, and photography. The authors seek to address contemporary concerns affecting larger society through the lens of visual culture. The world is becoming increasingly globalized, as nations and multilateral organizations advocate freer international trade, the sharing of technological and political ideas, and multiculturalism. Yet, despite a rhetorical attachment to the message of lower national barriers, there has b...
Sports in African American Life
African Americans have made substantial contributions to the sporting world, and vice versa. This wide-ranging collection of new essays explores the inextricable ties between sports and African American life and culture. Contributors critically address important topics such as the historical context of African American participation in major U.S. sports, social justice and responsibility, gender and identity, and media and art.
Sport and the European Avant-Garde (1900-1945)
This collection of essays assesses the significance of sport for the European avant-garde in the first half of the 20th century from an international and interdisciplinary perspective. It shows the extent to which avant-garde art and culture was shaped by the dynamic encounter with modern sports.
Sports and Violence
Sports and Violence is an edited collection arising out of the 2016 Sports and Violence Conference, hosted at the Ashland Center for Nonviolence at Ashland University, Ohio, USA. This volume contains 11 essays authored by a range of scholars reflecting on the confluence of violence within organized sports. The three sections of the book (history, theory, and practice) create a full-scale exploration of this topic. The authors not only detail past phenomena of sports violence, but also offer ethnographic and sociological explorations alongside philosophical treatments of sports violence. Crucial to the volume’s treatment of a wide range of phenomena associated with sports violence is not only how it addresses violence within sport, but also how it considers the ways that sport fosters and mitigates violence outside of sports, and how audiences and spectators contribute to, and are shaped by, the practice of sports.
Win or Else
In Win or Else, Larry E. Holmes shows us how Soviet football culture regularly disregarded official ideological and political imperatives and skirted the boundaries between socialism and capitalism. In the early 1920s, the Soviet press denounced football as a bourgeois sport that was injurious to both mind and body. Within that same decade, however, it blew up, becoming the most popular spectator sport in the USSR and growing into a fiercely competitive business with complex regional and national bureaucracies, a strong international presence, and a conviction that victory on the field was also a victory of Soviet supremacy. Writing as both historian and fan, Holmes focuses his study on the ...
Picturing the Workers' Olympics and the Spartakiads
This volume focuses on the modernist and avant-garde engagement with workers’ sport events that were organised or were planned to be organised in the cities of Central Europe and the USSR in the period of 1920–1932: Frankfurt am Main – Vienna – Moscow – Prague – Budapest – Berlin. During the 1920s and 1930s, two organisations of workers’ sport operated: the Lucerne Sport International/Socialist Workers’ Sport International and the Red Sport International, which held the socialist Workers’ Olympics and the communist Spartakiads, respectively. These events were not aimed at cultivating national victories and individual athletic records, but at mobilising workers for the cla...
Broadening the Horror Genre
This collection assembles a wide range of scholarship addressing the intersections, influences, and impacts of the horror genre’s proliferation across multiple forms of media. Covering film, television, websites, video games, tabletop and role-playing games, and social media, the volume highlights works from marginalized voices or from less scrutinized media. Building off one of Horror Studies’ traditional homes in film, the volume first features approaches to previously ignored innovations and offshoots related to cinematic and televisual horror, before moving to discuss how horror film conventions inform horror video and tabletop games and how games have started to influence film. Finally, the collection departs the world of film to examine online and non-academic multimodal/cultural discourses about horror, from popular movie reviewers to interactive online marketing and film promotions. This volume will interest scholars and students not only of Horror Studies and genre but also of film, media and television studies, digital media and video games, and transmedia studies.
A Strange Mixture
Attracted to the rich ceremonial life and unique architecture of the New Mexico pueblos, many early-twentieth-century artists depicted Pueblo peoples, places, and culture in paintings. These artists’ encounters with Pueblo Indians fostered their awareness of Native political struggles and led them to join with Pueblo communities to champion Indian rights. In this book, art historian Sascha T. Scott examines the ways in which non-Pueblo and Pueblo artists advocated for American Indian cultures by confronting some of the cultural, legal, and political issues of the day. Scott closely examines the work of five diverse artists, exploring how their art was shaped by and helped to shape Indian p...
The Routledge Companion to African Diaspora Art History
This is an authoritative companion that is global in scope, recognizing the presence of African Diaspora artists across the world. It is a bold and broad reframing of this neglected branch of art history, challenging dominant presumptions about the field. Diaspora pertains to the global scattering or dispersal of, in this instance, African peoples, as well as their patterns of movement from the mid twentieth century onwards. Chapters in this book emphasize the importance of cross-fertilization, interconnectedness, and intersectionality in the framing of African Diaspora art history. The book stresses the complexities of artists born within, or living and working within, the African continent...
