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Books on music synthesizers explain the theory of music synthesis, or show you how to use an existing synthesizer, but don't cover the practical details of constructing a custom software synthesizer. Likewise, books on digital signal processing describe sound generation in terms of complex equations and leave it up to the reader to solve the practical problems of programming the equations. BasicSynth takes you beyond the theory and shows you how to create a custom synthesizer in software using the C++ programming language. The first part of the book explains the basic computer algorithms used to generate and process sound. Subsequent chapters explain instrument design using actual synthesis instruments. The example instruments are then combined with a text-based scoring system and sequencer to produce a complete working synthesizer. Complete source code to the C++ classes and example programs is available for download from the Internet.
Additional written evidence is contained in Volume 3, available on the Committee website at www.parliament.uk/justicecom
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On a fishing trip with his best friend, Mike, Sam Gunther witnesses a brutal crime at the hands of the infamous Stangler Brothers. Scared, he and Mike try to sneak away, but Mike is caught and murdered. When Sam returns to the scene with the police, all evidence has vanished, and the officers appear unwilling to investigate further. Sam makes plans to avenge his friend’s death, but when his act of revenge turns tragic, he must flee to protect his family from retribution. Hiding in a cave in the Arbuckle Mountains, Sam struggles to survive with the skills learned from his Green Beret father. Desperate to find justice for his friend and return home, Sam eventually discovers he's not the only one seeking vengeance on the Stanglers. He's soon pulled into an all-out war and is plunged into as much danger from his allies as from his enemies.
This expanded second edition of Contemporary European Theatre Directors is an ambitious and unprecedented overview of many of the key directors working in European theatre over the past 30 years. This book is a vivid account of the vast range of work undertaken in European theatre during the last three decades, situated lucidly in its artistic, cultural, and political context. Each chapter discusses a particular director, showing the influences on their work, how it has developed over time, its reception, and the complex relation it has with its social and cultural context. The volume includes directors living and working in Italy, Germany, France, Spain, Poland, Russia, Romania, the UK, Belgium, Switzerland, and the Netherlands, offering a broad and international picture of the directing landscape. Now revised and updated, Contemporary European Theatre Directors is an ideal text for both undergraduate and postgraduate directing students, as well as those researching contemporary theatre practices, providing a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe following the end of the Cold War.