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During the 1800s, dance and etiquette manuals provided ordinary men and women with the keys to becoming gentlemen and ladies--and thus advancing in society. Why dance? To the insecure and status-oriented upper middle class, the ballroom embodied the perfect setting in which to demonstrate one's fitness for membership in genteel society. From the Ballroom to Hell collects over 100 little-known excerpts from dance, etiquette, beauty, and fashion manuals from the nineteenth century. Included are instructions for performing various dances, as well as musical scores, costume patterns, and the proper way to hold one's posture, fork, gloves, and fan. While of particular interest to dancers, dance historians, and choreographers, anyone fascinated by the ways and mores of the period will find From the Ballroom to Hell an endearing and informative glimpse of America's past.
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Without question, biostatistical analysis has contributed to a slew of amazing medical breakthroughs. Yet it also distorts and deforms the holistic and contingent nature of health and medicine. How is it that biostatistics can both sharpen and weaken our understanding of health and medicine? What is unique about the content of health and medicine that so plainly reveals such distortions and deformities? Exploring these questions entails, first, a full survey of the tools and techniques of biostatistical analysis aiding medical breakthroughs. This survey must then be paired with a probe into the conceptual premises of these tools and techniques and how they refashion and reconstitute the inherently qualitative content of health and medicine in preparation for its quantification. We must grasp the statistical machinations at play, both technical and conceptual, that contrive to fit objects to tools rather than fitting tools to objects. This textbook introduces both the procedural methods and the hidden premises of biostatistical analysis.