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History of the Town of Stonington, County of New London, Connecticut, from Its First Settlement in 1649 to 1900
Founded primarily on town, church, and charter records, Wheeler's History of Stonington is a harmonious blend of history and genealogy. The work is divided into two main sections: the "History of Stonington" and the "Genealogical Register of Stonington Families." Commencing with a survey of the founders and early settlements, with a glance at the original town patents, the first section deals at length with the history of Stonington in the various wars and includes lists of officers and men developed from the most reliable sources. The genealogies in the second section generally begin with the immigrant ancestor and continue through six or seven generations in the direct line of descent, providing a progression of names and dates of birth and marriage, with incidental references to places of residence, land holdings, and probated estates. Even though the genealogies are arranged in alphabetical order by family name and therefore are easily accessible, all names cited therein are included in the index, which has more than 12,000 entries.
Hopper Drawing
Catalog of an exhibition held at the Whitney Museum of American Art, New York, May 23-Oct. 6, 2013; Dallas Museum of Art, Nov. 17, 2013-Feb. 16, 2014; Walker Art Center, Minneapolis, Mar. 15-June 22, 2014.
Photography and Collaboration
Photography and Collaboration offers a fresh perspective on existing debates in art photography and on the act of photography in general. Unlike conventional accounts that celebrate individual photographers and their personal visions, this book investigates the idea that authorship in photography is often more complex and multiple than we imagine – involving not only various forms of partnership between photographers, but also an astonishing array of relationships with photographed subjects and viewers. Thematic chapters explore the increasing prevalence of collaborative approaches to photography among a broad range of international artists – from conceptual practices in the 1960s to the most recent digital manifestations. Positioning contemporary work in a broader historical and theoretical context, the book reveals that collaboration is an overlooked but essential dimension of the medium’s development and potential.
Courts and Lawyers of New York
This massive illustrated history of the courts and lawyers of New York from 1609-1925 contains a great deal of information that is not available elsewhere. Contents: Part I-Dutch Period: The Bases of American Law, The Dutch Legal System, The Patrons and Their Courts, Burgher Government, Dutch Magistrates. Part II-English Period: The Conflicting Land Titles, The Duke of York's Laws, The Leisler Case. Part III-American Period: Constitutional History, The Courts of Last Resort, The Supreme Court, The Court of Chancery. Part IV: Judicial Distracts and Associations of the Bar, Law Libraries and Law Schools. 59 illustrations.
Delirious
Someone is playing mind games with a cyber genius in this “fiendishly inventive psychological thriller” by the author of Stolen (Lee Child). Charlie Giles is at the top of his game. An electronics superstar, he’s sold his startup to a giant Boston firm, where he’s now senior director. He’s treated like a VIP everywhere he goes . . . until everything in Charlie’s neatly ordered world starts to go terrifyingly wrong. Charlie’s mother is hospitalized, his prestigious job is in jeopardy, his inventions are wrenched away from him, and one by one, his former colleagues are being murdered. Every shred of evidence points to Charlie as a cold-blooded killer. And soon he is unable to tel...
Manchester
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Ai Weiwei
This comprehensive presentation of Ai Weiwei's ambitious Public Art Fund exhibition Good Fences Make Good Neighbors--a reflection on the global refugee crisis--documents the work from conception to installation and reception.
Michigan Ferns and Lycophytes
The most comprehensive guide to Michigan's ferns and related plants
Manchester
Reprint of the original, first published in 1875.
The Culture of Photography in Public Space
From privacy concerns regarding Google Street View to surveillance photography’s association with terrorism and sexual predators, photography as an art has become complex terrain upon which anxieties about public space have been played out. Yet the photographic threat is not limited to the image alone. A range of social, technological and political issues converge in these rising anxieties and affect the practice, circulation, and consumption of contemporary public photography today. The Culture of Photography in Public Space collects essays and photographs that offer a new response to these restrictions, the events and the anxieties that give rise to them.
