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Multicultural Perspectives in Music Education
With Multicultural Perspectives in Music Education, you can explore musics from around the world with your students in a meaningful way. Broadly based and practically oriented, the book will help you develop curriculum for an increasingly multicultural society. Ready-to-use lesson plans make it easy to bring many different but equally logical musical systems into your classroom. The authors_a variety of music educators and ethnomusicologists_provide plans and resources to broaden your students' perspectives on music as an important aspect of culture both within the United States and globally.
The Art of Music Production
In this book, veteran music producer Richard James Burgess gives readers the tools they need to understand the complex field of music production. He defines the many roles that fall to the music producer by focusing first on the underlying theory of music production, before offering a second section of practical aspects of the job.
Music Cultures in the United States
'Music in the United States' is a basic textbook for any introduction to American music course. Each American music culture is covered with an introductory article and case studies of the featured culture.
Closing Chapters
Closing Chapters attempts to explain the disintegration of urban parochial schools in Youngstown, Ohio, a onetime industrial center that lost all but one of its eighteen Catholic parochial elementary schools between 1960 and 2006. Through this examination of Youngstown, Welsh sheds light on a significant national phenomenon: the fragmentation of American Catholic identity.
Old-Time Conversations
Disillusioned with business at age 50, the author found himself irresistibly drawn to the joy and sense of community that music had first brought to his youth. Inspired by this rediscovered passion, he embarked on a remarkable 12-year odyssey, capturing the stories of artisans, performers and historians of traditional music across North America now preserved in this volume. These interviewees who represent the heart and soul of old-time music include instrument builders Bart Reiter, Patrick "Doc" Huff, Pete Ross, Zachary Hoyt, Bill Rickard, and William Seeders Mosheim; old-time performers Rayna Gellert, David Holt, James "Sparky" Rucker, Clare Milliner, Mac Benford, Sheila Kay Adams, Paul Brown and John McCutcheon; and historians and authors Dwight Diller, Bill Malone, Don Flemons, and Tim Brooks.
The Immigration Crisis
Immigration remains one of the most pressing and polarizing issues in the United States. In The Immigration Crisis, the political scientist and social activist Armando Navarro takes a hard look at 400 years of immigration into the territories that now form the United States, paying particular attention to the ways in which immigrants have been received. The book provides a political, historical, and theoretical examination of the laws, personalities, organizations, events, and demographics that have shaped four centuries of immigration and led to the widespread social crisis that today divides citizens, non-citizens, regions, and political parties. As a prominent activist, Navarro has participated broadly in the Mexican-American community's responses to the problems of immigration and integration, and his book also provides a powerful glimpse into the actual working of Hispanic social movements. In a sobering conclusion, Navarro argues that the immigration crisis is inextricably linked to the globalization of capital and the American economy's dependence on cheap labor.
Music in Latin America and the Caribbean: An Encyclopedic History REANNOUNCE/F05: Volume 2: Performing the Caribbean Experience
The music of the peoples of South and Central America, Mexico, and the Caribbean is treated with unprecedented breadth in this multi-volume work. Taking a sociocultural and human-centered approach, Music in Latin America and the Caribbean gathers the best scholarship from writers all over the world to cover in depth the musical legacies of indigenous peoples, creoles, African descendants, Iberian colonizers, and other immigrant groups that met and mixed in the New World. From these texts, music emerges as the powerful tool that negotiates identities, enacts resistance, performs beliefs, and challenges received aesthetics. More than two decades in the making, this work privileges the perspect...
Crossing Borders
Max Baca is one of the foremost artists of Tex-Mex music, the infectious dance music sweeping through the Texas-Mexico borderlands since the 1940s. His Grammy-winning group, Los Texmaniacs, and his extensive work with the accordionist Flaco Jiménez established the Albuquerque-born and San Antonio-based bajo sexto player/bandleader as a spokesperson for a too-often-maligned culture. The list of artists who have contributed to Los Texmaniacs' albums include Alejandro Escovedo, Joe Ely, Rick Trevino, Ray Benson of Asleep at the Wheel, David Hidalgo, Cesar Rosas, Steve Berlin of Los Lobos, and Lyle Lovett. Max Baca was born to play music. By his eighth birthday, he was already playing in his father's band. Polkas, redovas, corridos, boleros, chotises, huapangos, and waltzes are in his blood. Baca's music grew out of the harsh life of the borderland, and the duality of borderland music--its keening beauty--remains a recurring theme in everything he does.
