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The World Needs Your Art, and only you can make it. Ever wondered why you just HAVE to make something, anything, or you will just burst? Artists are born, not made. And if you yearn to create, that makes you an artist, no matter your medium. Photography, painting, performance art, writing, singing, or fashion, all are forms of expression of the creative soul. Often, creative people are not encouraged to pursue their heart’s desires by the world at large. They end up frustrated, depressed, or sad because they feel they cannot share their gifts with the world. They get blocked, give up too soon, or worse yet, fail to ever start what they yearn to make. And that’s a downright shame. The World Needs Your Art is a friendly guide to unlocking unlimited creativity while developing your style and learning to never be blocked for very long again by tapping into that innate gift called imagination.
When you need to find anyone or anything in the library community, just turn to American Library Directory 2004-2005. You'll find detailed profiles for more than 35,000 public, academic, special, and government libraries and library-related organizations in the U.S. and Canada-including addresses, phone and fax numbers, e-mail addresses, network participation, expenditures, holdings and special collections, key personnel, special services, and more-more than 40 categories of library information in all. This indispensable resource makes it easy to: Contact colleagues, other libraries, or library organizations. Locate special collections, rare book and document holdings, and manuscript collections. Find consortium libraries or networks for interlibrary loans, information, or membership. Compare other libraries' facilities, services, and expenditures with yours. Identify libraries equipped for the disabled and other specialized facilities. Find out about seminars and in-service educational programs. Libraries are listed alphabetically by state and city, and registries of library schools and library consortia are included as well.
After the wedding of Diana Goode and Andrew Douglas, Diana teases that they will make a baby on their honeymoon. But long afterward, she is still not pregnant. As Diana and Andrew wait out each month only to be bitterly disappointed, they are forced to question just how much they are willing to go through to have a baby. Charlie Winwood dreams of a house filled with children. His bride, party-girl actress Barbie Mason, has other ideas. When he discovers he is sterile, Charlie has to rethink his deepest values — and his marriage to a woman who shares none of his dreams. After ten years of living together, Pilar Graham, a prominent Santa Barbara attorney, marries Judge Brad Coleman, who is n...
Autotheory--the commingling of theory and philosophy with autobiography--as a mode of critical artistic practice indebted to feminist writing and activism. In the 2010s, the term "autotheory" began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory.
All aspire to liberty and security in their lives but few people truly enjoy them. This book explains why this is so. In what Conor Gearty calls our 'neo-democratic' world, the proclamation of universal liberty and security is mocked by facts on the ground: the vast inequalities in supposedly free societies, the authoritarian regimes with regular elections, and the terrible socio-economic deprivation camouflaged by cynically proclaimed commitments to human rights. Gearty's book offers an explanation of how this has come about, providing also a criticism of the present age which tolerates it. He then goes on to set out a manifesto for a better future, a place where liberty and security can be...
We are living in a time of crisis which has cascaded through society. Financial crisis has led to an economic crisis of recession and unemployment; an ensuing fiscal crisis over government deficits and austerity has led to a political crisis which threatens to become a democratic crisis. Borne unevenly, the effects of the crisis are exacerbating class and gender inequalities. Rival interpretations – a focus on ‘austerity’ and reduction in welfare spending versus a focus on ‘financial crisis’ and democratic regulation of finance – are used to justify radically diverse policies for the distribution of resources and strategies for economic growth, and contested gender relations lie at the heart of these debates. The future consequences of the crisis depend upon whether there is a deepening of democratic institutions, including in the European Union. Sylvia Walby offers an alternative framework within which to theorize crisis, drawing on complexity science and situating this within the wider field of study of risk, disaster and catastrophe. In doing so, she offers a critique and revision of the social science needed to understand the crisis.
Cities around the world are striving to be 'global'. This book tells the story of one of them, and in so doing raises questions of identity, place and political responsibility that are essential for all cities. World City focuses its account on London, one of the greatest of these global cities. London is a city of delight and of creativity. It also presides over a country increasingly divided between North and South and over a neo-liberal form of globalisation - the deregulation, financialisation and commercialisation of all aspects of life - that is resulting in an evermore unequal world. World City explores how we can understand this complex narrative and asks a question that should be asked of any city: what does this place stand for? Following the implosion within the financial sector, such issues are even more vital. In a new Preface, Doreen Massey addresses these changed times. She argues that, whatever happens, the evidence of this book is that we must not go back to 'business as usual', and she asks whether the financial crisis might open up a space for a deeper rethinking of both our economy and our society.
This book provides a long-overdue account of online technology and its impact on the work and lifestyles of professional employees. It moves between the offices and homes of workers in the knew "knowledge" economy to provide intimate insight into the personal, family, and wider social tensions emerging in today’s rapidly changing work environment. Drawing on her extensive research, Gregg shows that new media technologies encourage and exacerbate an older tendency among salaried professionals to put work at the heart of daily concerns, often at the expense of other sources of intimacy and fulfillment. New media technologies from mobile phones to laptops and tablet computers, have been marke...