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Art History at the Crossroads of Ireland and the United States
Taking the visual arts as its focus, this anthology explores aspects of cultural exchange between Ireland and the United States. Art historians from both sides of the Atlantic examine the work of artists, art critics and art promoters. Through a close study of selected paintings and sculptures, photography and exhibitions from the nineteenth century to the present, the depth of the relationship between the two countries, as well as its complexity, is revealed. The book is intended for all who are interested in Irish/American interconnectedness and will be of particular interest to scholars and students of art history, visual culture, history, Irish studies and American studies.
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Place, Nations, Generations, Beings: 200 Years of Indigenous North American Art
This important publication is the first from the Yale University Art Gallery dedicated to Indigenous North American art. Accompanying a student-curated exhibition, it marks a milestone in the collection, display, and interpretation of Native American art at Yale and seeks to expand the dialogue surrounding the University’s relationship with Indigenous peoples and their arts. The catalogue features an introduction by the curators that surveys the history of Indigenous art on campus and outlines the methodology used while researching and mounting the exhibition; a discussion of Yale’s Native American Cultural Center; and a preface by the Medicine Woman and Tribal Historian of the Mohegan N...
Rick Bartow
Over forty years and across a variety of media, artist Rick Bartow has created a powerful body of work. His representations of humans, animals, hybrid creatures, and shadowy figures display such exquisite beauty or grotesque absurdity--sometimes both at once--that a viewer cannot help being pulled into the artist's world. The experience can be whimsical and troubling by turns, but is always undeniably transformative. Born in Oregon, Bartow is a member of the Wiyot tribe of the Humboldt Bay region, and his art carries influences of his heritage as well as his fine-art training, travels, and life events. This exhibition catalog accompanies the show Rick Bartow: Things You Know But Cannot Expla...
Grant Wood's Secrets
Incorporating copious archival research and original close readings of American artist Grant Wood’s iconic as well as lesser-known works, Grant Wood’s Secrets reveals how his sometimes anguished psychology was shaped by his close relationship with his mother and how he channeled his lifelong oedipal guilt into his art. Presenting Wood’s abortive autobiography "Return from Bohemia" for the first time ever, Sue Taylor integrates the artist’s own recollections into interpretations of his art. As Wood dressed in overalls and boasted about his beloved Midwest, he consciously engaged in regionalist strategies, performing a farmer masquerade of sorts. In doing so, he also posed as conventionally masculine, hiding his homosexuality from his rural community. Thus, he came to experience himself as a double man. This book conveys the very real threats under which Wood lived and pays tribute to his resourceful responses, which were often duplicitous and have baffled art historians who typically take them at face value.
Revolution in Rojava
"Surrounded by enemies including ISIS and hostile Turkish forces, the people in Syria’s Rojava region are carving out one of the most radically progressive societies on the planet. Visitors have been astounded by the success of their project, a communally organised democracy which considers women’s equality indispensable, has a deep-reaching ecological policies, and rejects reactionary nationalist ideology. This form of organization, labeled democratic confederalism, is both fiercely anti-capitalist and boasts a self-defense capacity which is keeping ISIS from their gates. Drawing on their own firsthand experiences of working and fighting in the region, the authors provide the first detailed account of a revolutionary experiment and a new vision of politics and society in the Middle East and beyond"--Back cover.
Facing the Music
Jennifer Knapp’s meteoric rise in the Christian music industry ended abruptly when she walked away and came out publicly as a lesbian. This is her story—of coming to Christ, of building a career, of admitting who she is, and of how her faith remained strong through it all. At the top of her career in the Christian music industry, Jennifer Knapp quit. A few years later, she publicly revealed she is gay. A media frenzy ensued, and many of her former fans were angry with what they saw as turning her back on God. But through it all, she held on to the truth that had guided her from the beginning. In this memoir, she finally tells her story: of her troubled childhood, the love of music that p...
