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Morris Graves
Morris Graves is a major American painter with roots in the Pacific Northwest. Morris Graves: Selected Letters draws on a vast cache of the his unpublished correspondence, dating from his teenage years until his death in 2001. Few visual artists of any era have left such a rich and wide-ranging collections of letters, which makes this body of work an unusual and valuable document in American art. The Graves correspondence is remarkable for its scope, variety, and depth. Written to many correspondents over long periods of time, the letters include the artist's reflections on his art, the art world, philosophy (Zen Buddhism and Vedanta in particular), architecture (Graves designed his homes an...
Giuseppe Vasi's Rome
Giuseppe Vasi's Rome: Lasting Impressions from the Age of the Grand Tour serves as the catalogue of the exhibition of the same name, organized by the Jordan Schnitzer Museum of Art at the University of Oregon and curated by Professors Harper and Tice. On view in Eugene, OR, from September 25 through January 2, 2010, the exhibition will also be shown at the Princeton University Art Museum in spring 2011. In a set of eight scholarly essays and more than one hundred catalogue entries and images by Vasi, his predecessors and his contemporaries, this richly illustrated volume examines the eighteenth-century printmaker Giuseppe Vasi and his world. Subject areas addressed include printmaking, patronage networks, cartography, contemporary architecture, early tourism and the Grand Tour, social history, the festival life of the papal city, and Vasi's complex relationship with his student, Piranesi. The publication offers a comprehensive treatment of the artist and his major works, the first ever in the English language, while also elucidating the political, social, and artistic worlds in which Vasi moved.
Ryo Toyonaga
Ryo Toyonaga: Awakening, October 11, 2014-January 4, 2015Issued in conjunction with the exhibition of the same title held October 11, 2014-January 4, 2015, Jordan Schnitzer Museum of Art, Eugene, Oregon. Curated by Lawrence Fong. Includes essays by Helen W. Drutt English and Suzanne Ramljak.
Sterling Ruby - WIDW.
Xavier Hufkens is pleased to present a two-venue exhibition of new paintings and collages by Los Angeles-based artist Sterling Ruby.0Ruby?s DRFTRS and WIDW series are two ever-evolving bodies of work that bear witness to the artist?s intense relationship with materials and his interest in issues such as sociocultural evolution, popular culture, and violence. 0The WIDW paintings (an acronym for ?window?), are executed in acrylic, oil paint, and collaged fragments of cardboard and textile on canvas. In their composite nature, they closely relate to the DRFTRS works on paper. But the materials used in this series reflect yet another form of archaeology: the excavation of the artist?s studio.00Exhibition: Xavier Hufkens Gallery, Brussels, Belgium (07.09.-20.10.2018).
Eric Wert
"Contains two essays about contemporary painter Eric Wert and more than 100 color reproductions of Wert's paintings and drawings. Also includes a step-by-step explanation of Wert's process, written by Wert himself, with photographs of each stage of the process"--
The Ten Symbols of Longevity
The ten symbols of longevity - rocks, water, clouds, sun, pine trees, turtles, deer, cranes, bamboo, and fungus - represent a ubiquitous theme in the Joseon-period (1392-1910) visual culture of Korea. This volume examines a large ten-panel foldingscreen landscape, created by an unknown court artist and intended for use in a Korean palace. Such screens of the ten symbols were often used in a ceremonial capacity for celebrations of the new year, palace banquets, and significant anniversaries. This book provides an introduction to the ten-symbols theme in Korean art and a historical and critical context for a particular screen.
Expanding Frontiers
In 2012, Jack and Susy Wadsworth donated 157 modern and contemporary Japanese prints to the Jordan Schnitzer Museum of Art at the University of Oregon. This remarkable collection, featuring woodblocks, intaglios, lithographs, screenprints, and mixed-media works by seventy-eight Japanese and Western artists, significantly augments the museum's capacity to teach about Japanese graphic art from the late twentieth- and early twenty-first-centuries. The collection showcases contemporary Japanese artists not just as inheritors of the much-celebrated Edo-period (1615-1868) woodblock tradition, but as sophisticated international masters of various printmaking techniques.
Carrie Mae Weems
This exhibition catalogue features recent works by artist Carrie Mae Weems included in LSU Museum of Art’s exhibition, Carrie Mae Weems: The Usual Suspects. The exhibition focuses on the humanity denied in recent killings of black men, women, and children by police. She directs our attention to the constructed nature of racial identity—specifically, representations that associate black bodies with criminality. Through a formal language of blurred images, color blocks, stated facts, and meditative narration, Weems directs our attention toward the repeated pattern of judicial inaction. In addition to full color plates of photographic and video works included in the exhibition, the catalogue features an introductory essay by Curator Courtney Taylor and transcripts by Carrie Mae Weems from video and photographic works included in the exhibition.
Warhol
The definitive biography of a fascinating and paradoxical figure, one of the most influential artists of his—or any—age To this day, mention the name “Andy Warhol” to almost anyone and you’ll hear about his famous images of soup cans and Marilyn Monroe. But though Pop Art became synonymous with Warhol’s name and dominated the public’s image of him, his life and work are infinitely more complex and multi-faceted than that. In Warhol, esteemed art critic Blake Gopnik takes on Andy Warhol in all his depth and dimensions. “The meanings of his art depend on the way he lived and who he was,” as Gopnik writes. “That’s why the details of his biography matter more than for almos...
The Barberini Tapestries
This book is the first sustained scholastic treatment of the Life of Christ tapestries, which were commissioned by Pope Urban VIII's nephew, Cardinal Francesco Barberini. Covering over 2800 square feet, the series is one of the grandest monuments of seventeenth century Rome. A close reading of each panel sets the tapestries into a number of overlapping contexts; they indicate the stylistic advances of the high Baroque period, as well the political and social agendas of their patrons. The introductory chapter lays out the context of Urban VIII's Rome. Subsequent chapters reconstruct the history of Cardinal Barberini's private tapestry commissions, and the activity of Giovanni Francesco Romane...
