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Tracing the Post(apartheid) Novel Beyond 2000
This anthology comprises of interviews with contemporary South African authors, offering vignettes of their lives and summaries of their works. In curating this book, Danyela Demir and Olivier Moreillon step beyond pure literary theory and analysis. They welcome the authors to speak and assess the literary panorama in which they live and co-create. However, Demir and Moreillon also trace concepts and terms that describe the current South African literature, such as post-transitional literature and literature beyond 2000. By adopting a world-literary approach to (post)apartheid literature, this book contributes to debates on contemporary South African writing. In addition, Tracing the (Post)Apartheid Novel Beyond 2000 seeks to raise awareness of the imbalance in both critical and public attention between literary big names', such as Andr P. Brink, J.M. Coetzee, Nadine Gordimer and Zakes Mda, who are popular worldwide, and the younger and newer generation of South African writers, who go largely unnoticed. Print edition not for sale in Sub Saharan Africa.
Tracing the (Post)Apartheid Novel beyond 2000
This anthology comprises of interviews with contemporary South African authors, offering vignettes of their lives and summaries of their works. In curating this book, Danyela Demir and Olivier Moreillon step beyond pure literary theory and analysis. They welcome the authors to speak and assess the literary panorama in which they live and co-create. However, Demir and Moreillon also trace concepts and terms that describe the current South African literature, such as post-transitional literature and literature beyond 2000. By adopting a world-literary approach to (post)apartheid literature, this book contributes to debates on contemporary South African writing. In addition, Tracing the (Post)Apartheid Novel Beyond 2000 seeks to raise awareness of the imbalance in both critical and public attention between literary ‘big names’, such as André P. Brink, J.M. Coetzee, Nadine Gordimer and Zakes Mda, who are popular worldwide, and the younger and newer generation of South African writers, who go largely unnoticed. Print edition not for sale in Sub Saharan Africa.
If You Keep Digging
If You Keep Digging is a moving collection of short stories that is an essential addition to current and on-going discussions that affect the youth including those around migration, gender, sexuality and identity. The selection of stories highlights marginalised identities and looks at the daily lives of people who may otherwise be forgotten or dismissed. 'Monkeys' is a skilful commentary on domestic violence, toxic masculinity, patriarchy (and how it is racialised), power dynamics between white and black men and how children come to 'know' that they are white or black. 'Skinned', whose protagonist is a woman with albinism, is a powerful story about learning to accept that you deserve love when the world constantly tells you otherwise. In 'Fourteen' the author deftly demonstrates the ability to play with concepts of time and reality. It is a compelling story about potential and how one can feel unfulfilled despite having hopes and ambitions.
Tracing the (Post)Apartheid Novel Beyond 2000
This volume contains interviews with fourteen contemporary South African authors: Mariam Akabor, Sifiso Mzobe, Fred Khumalo, Futhi Ntshingila, Niq Mhlongo, Zukiswa Wanner, Nthikeng Mohlele, Mohale Mashigo, Lauren Beukes, Charlie Human, Yewande Omotoso, Andrew Salomon, Imraan Coovadia and Fred Strydom. The conversations with the writers are accompanied by vignettes of the authors' lives and summaries of their works. In curating this book, Danyela Dimakatso Demir and Olivier Moreillon step beyond pure literary theory and analysis by allowing the authors to speak to and assess the literary landscape, of which they form a part and which they co-create. However, Demir and Moreillon also trace concepts and terms that describe the current moment of South African literature, such as post-transitional literature and literature beyond 2000. By adopting a world-literary approach to (post)apartheid literature, this book makes an important contribution to debates on contemporary South African writing that seeks to raise awareness of the imbalance in both critical and public attention between literary 'big names', and the newer generation of South African writers, who go largely unnoticed.
A Change of Tongue
Identity, belonging and voyages of personal discovery are but some of the themes inventively explored in Antjie Krog’s first full-length work to appear in English since the publication of Country of My Skull. In times of fundamental change, people tend to find a space, lose it and then find another space as life and the world transform around them. What does this metamorphosis entail and in what ways are we affected by it? How do we live through it and what may we become on our journey towards each other, particularly when the space and places from which we depart are – at least on the surface – vastly different? Ranging freely and often wittily across many terrains, this brave book by one of South Africa’s foremost writers and poets provides a unique and compelling discourse on living creatively in South Africa.
The Land is Ours
The Land Is Ours tells the fascinating story of South Africa's early black lawyers, and explores the relationship between the law and politics. It shows that the concept of a Bill of Rights, which is an international norm today, was pioneered by these black South African lawyers, and is particularly relevant in light of current debates about the Co
Adair: Will, the Passenger Delaying Flight
A man is travelling to Africa from Europe. And yet it is also about waiting ñ waiting for Africa. Volker, a German, leaves his home in Frankfurt for Windhoek. He leaves a lover, he is leaving for a long time, and he does not have a return ticket. He does not know anything about Africa, to him it is one country, not a continent, neither does he really know where he is going to; he just knows that he wants to leave Europe. Lufthansa, the airline that carries him stops at Charles de Gaulle airport and here he waits and waits and waits. And in the airport he observes and describes and thinks. The text is a stream of consciousness, Volkerís thoughts. Interspersed with this are stories of people he encounters in the airport; a murderer, a terrorist, a person with dwarfism, a trans woman, a porn star, a terrorist, a child trafficker, a paedophile. All are connected, with each other, with Volker and with us, the readers. Adairís novel is innovative in form, self-conscious and self-critical; it challenges conventional Western assumptions that all good novels have a clear story line, a good plot and fully rounded characters.
Horns for Hondo
None
A Man Who Is Not a Man
After Lumkile is arrested for robbery, his estranged mother appears and removes him to the Eastern Cape, where he makes a fresh start - reinventing himself at a new school and falling in love. When the time comes for Lumkile to enter manhood by undergoing a ritual circumcision, he prepares eagerly for the ceremonies ahead. However, in his makeshift hut on the mountain, Lumkile realises that something has gone terribly wrong. Having been taught that 'what happens at the mountain stays at the mountain' he faces a stark choice: to seek medical help and risk being forever ostracised and labelled as a 'failed man'; or to suffer life-changing injuries or even death. This deftly written novel is one young man's intimate account of a botched circumcision, and his journey to accept his fate and embrace his future, as he gains a deeper understanding of what it really means to be a man.
Hearing Visions, Seeing Voices
The breakdown of traditional African values and the consequences of disconnection from African ancestral beliefs are examined in this attempt to understand the vicious cycle of community violence.
