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A collaboration between a contemporary painter and an award-winning poet, this 21st-century bestiary is a spellbinding artistic meditation on the mysteries and diversity of the animal kingdom. Originating in the Middle Ages, bestiaries were illustrated volumes that described various animals--some real, some mystical. The natural history and illustration of each beast were usually accompanied by a moral lesson. In this beautifully illustrated book, respected painter Darren Waterston and distinguished poet Mark Doty come together to breathe new life into the medieval genre. Waterston's precise and haunting silhouettes depict species from insect to bird to mammal, captured in motion as they hunt their prey, build their nests, or protect their young. Accompanying these illustrations are Doty's poetic observations on the wonders of the animal world--its panoply of sounds and shapes, its dignity and its cruelty. Lovers of art, animals, and poetry will delight in this elegant volume that captures nature's exquisite and terrible beauty.
Inspired by James McNeill Whistler’s famous Peacock Room, contemporary painter Darren Waterston creates his own decadent interpretation in a major installation at MASS MoCA. Darren Waterston’s Filthy Lucre is a contemporary reimagining of James McNeill Whistler’s decorative masterpiece Harmony in Blue and Gold: The Peacock Room—originally a dining room in the London mansion of shipping magnate Frederick Leyland. In 1876 and 1877, Whistler transformed the space with painted leather walls, gilded shutters, and a ceiling reflecting the coppery golds and brilliant blues of a peacock’s plumage. Waterston reconstructs the historical room as a sumptuous ruin, replete with reinterpretations of Whistler’s paintings and 250 hand-painted vessels. This title features all-new photography of Whistler’s and Waterston’s rooms, accompanied by essays by their curators and a scholar of patronage.
Darren Waterston's somber but sexy paintings layer curvy, organic forms over strong colors in alluring riffs on the language of landscape. As abstract works with a visceral physicality, they evoke a sense of place without geographic reference. Their night-sky blues, mist grays and blood reds are dotted with disorienting arrays of starry pinpoints, bubbles, ripples and rays. Perhaps because his work could offer a window to anywhere--deep space, your backyard, or your synapses--it works at any scale. His most recent mural project, "Was and Is Not and Is to Come, " for the San Jose Contemporary Art Center, was his largest to date, expanding over 150 feet and taking two weeks to execute. Waterston has exhibited internationally, is included in permanent collections at the Los Angeles County Museum of Art and the de Young Museum, and has been covered in "ArtNews, Art in America, GQ, ," the "Los Angeles Times" and the "New York Times."
Exhibition catalog for "Darren Waterston: 13 Paintings" - a group of new paintings on exhiit at Greg Kucera Gallery, Seattle, Washington, USA, October 15 - November 27, 2004.
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One Saturday evening, the commandant of the Rowville internment camp, Captain Waterston, shot and killed a prisoner, Rodolfo Bartoli, who he claims was attempting to escape. Rodolfo, a young prisoner from Florence, had met a local girl whom he was hoping to marry one day.
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‘A captivating tale ...This novel is a delight’ THE TIMES ‘A terrific novel ... It springs off the page’ DEBORAH MOGGACH 'Vividly engaging’ SUNDAY TIMES