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Unfinished Gestures
'Unfinished Gestures' presents the social and cultural history of courtesans in South India, focusing on their encounters with colonial modernity in the 19th and early 20th centuries.
Bharatanatyam
Bringing together some of the most important essays on Bharatanatyam written over the last two hundred years, this reader opens a window to the history, aesthetics, and personal journeys that have shaped this vital and ever-shifting art.
Performing Pasts
Revised version of seminar papers and contributed articles.
New Mansions for Music
The essays inNew Mansions for Music: Performance, Pedagogy and Criticismlook at one of the most ancient and rigorous classical musical traditions of India, the Karnatik music system, and the kind of changes it underwent once it was relocated from traditional spaces of temples and salons to the public domain. Nineteenth-century Madras led the way in the transformation that Karnatik music underwent as it encountered the forces of modernization and standardization. This study also contributes to our understanding of the experience of modernity in India through the prism of music. The role of Madras city as patron and custodian of the performing arts, especially classical music offers an invalua...
Unfinished Gestures
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When Men Dance:Choreographing Masculinities Across Borders
While dance has always been as demanding as contact sports, intuitive boundaries distinguish the two forms of performance for men. Dance is often regarded as a feminine activity, and men who dance are frequently stereotyped as suspect, gay, or somehow unnatural. But what really happens when men dance? When Men Dance offers a progressive vision that boldly articulates double-standards in gender construction within dance and brings hidden histories to light in a globalized debate. A first of its kind, this trenchant look at the stereotypes and realities of male dancing brings together contributions from leading and rising scholars of dance from around the world to explore what happens when men dance. The dancing male body emerges in its many contexts, from the ballet, modern, and popular dance worlds to stages in Georgian and Victorian England, Weimar Germany, India and the Middle East. The men who dance and those who analyze them tell stories that will be both familiar and surprising for insiders and outsiders alike.
World Dance Cultures
From healing, fertility, and religious rituals, through theatrical entertainment, to death ceremonies and ancestor worship, the updated and revised second edition of World Dance Cultures introduces an extraordinary variety of dance forms and their cultures, which are practiced around the world. This highly illustrated textbook draws on wide-ranging historical documentation and first-hand accounts taking in India, Bali, Java, Cambodia, China, Japan, Hawai‘i, New Zealand, Papua New Guinea, Africa, Türkiye, Spain, Native America, South America, and the Caribbean, with this second edition adding new chapters on the Pacific Islands, Southern Africa, France, and Cuba. Each chapter covers a cert...
At Home in the World
The compelling story of a beautiful and versatile South Indian dance form
Kalyana Mitra: Volume 5
Volume V, ART: This volume contains 47 articles by scholars of Art History, representing various aspects of art. It covers the topics like the Buddhist narrative art and Buddha’s iconography with reference to Amaravati school of Art, Jaina Art, Terracotta art, Iconography of Siva, Vishnu, Surya, Mahishasuramardhini, Ganesa, Kartikeya, Dikpalas and Navagrahas and a few articles on Kuchipudi dance and folk art forms. This volume serves as a valuable source book for the students, research scholars and teachers as well in the fields. This volume also highlights the love and affection of Prof. P. Chenna Reddy enjoys in the intellectual world. The felicitation Volume is brought out in a series o...
Impersonations
At publication date, a free ebook version of this title will be available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance centers on an insular community of Smarta Brahmin men from the Kuchipudi village in Telugu-speaking South India who are required to don stri-vesam (woman’s guise) and impersonate female characters from Hindu religious narratives. Impersonation is not simply a gender performance circumscribed to the Kuchipudi stage, but a practice of power that enables the construction of hegemonic Brahmin masculinity in everyday village life. However, the power of the Brahmin male body in stri-vesam is highly contingent, particularly on account of the expansion of Kuchipudi in the latter half of the twentieth century from a localized village performance to a transnational Indian dance form. This book analyzes the practice of impersonation across a series of boundaries—village to urban, Brahmin to non-Brahmin, hegemonic to non-normative—to explore the artifice of Brahmin masculinity in contemporary South Indian dance.
